PERISTIWA GERBONG MAUT BONDOWOSO SEBAGAI SUMBER IDE KEKARYAAN KARYA SENI LUKIS
DOI:
https://doi.org/10.33153/texture.v7i1.5931Keywords:
Bondowoso death carriage incident, Romanticism, PaintingAbstract
This artistic research entitled “The Death Carriage Incident in Bondowoso as a Source of Ideas for Painting Works” is a response to my experience of hearing and reading the historical story of the Bondowoso people’s struggle. The death carriage incident is a sad story of the Bondowoso people’s struggle with their fighters. The story of the mass arrests carried out by the Dutch aggressors against the people and fighters of Bondowoso, to the point that the prisons in Bondowoso were no longer able to accommodate the prisoners. As a result, the Dutch army transferred prisoners using trains (three goods cars to transport the prisoners) from Bondowoso station to Surabaya station which then led to a tragedy known as the Bondowoso death carriage incident. The purpose of this creative research is to create works of painting that originate from the Bondowoso death carriage incident. This paper will explain the concept of creation, method of creation, process of creation and description of the works of painting that were created. The concept of the creation of this final assignment expresses the depiction or scene of the events of the Bondowoso death carriage incident, with the depiction obtained from my imagination based on the data obtained. The emergence of imagination or images in my mind became the starting point for the emergence of creative ideas which were then expressed in romanticism-style paintings. The method of creating the work refers to Francisco Goya's method of creation. The method consists of three stages, namely: the first stage, collecting sources of ideas or information; the second stage, developing initial ideas by describing what is obtained from information or personal experience, and combining the data received with imagination; the third stage, visualizing ideas and imagination into the media. This artistic research produces romanticism-style paintings using a combination of acrylic and oil paints on canvas media.Downloads
References
Mashoed. 2004. Sejarah dan Budaya Bondowoso : PAPYRUS Jl. Semolowaru Indah Blok 1-15, Surabaya.
Hunghes Robert. 2003. GOYA / ROBERT HUNGES : Alfred A. Knopf, a division of Random House, Inc., NewYork, and in Canada by Random House of Canada Limited, Toronto, United States.
Francois Crastre. 2016. GOYA .United Kingdom : Delphi Classics 2016.
Syamsiar. 2014. Tesis: “Kontemplasi Diri dalam Lukisan”. Tesis tidak diterbitkan Brikolase, ISSN:2087-0795.
Kolektor Sejarah. 2018. “Peristiwa 10 November 1945, Dalam lukisan karya M. Sochieb”,(Online),(https://kolektorsejarah.wordpress.com/, diakses 01 juni 2020).
Kompasiana. 2015. “Keindahan dan Renungan”, (https://www.kompasiana.com/nopalmtq/5520804f8133114e7419f8cf/keindahan-renungan, diakses 09 September 2020).
Hendi Jo. 2017. “13 Jam Bersama Maut”, (online), (https://historia.id, diakses 01 juni 2020).
Gamal Thabroni. 2019. “Aliran Roman-tisisme-Pengertian,Sejarah,Tokoh&Contoh” ,(Online),(https://serupa.id/aliran-romantisisme/, diakses Maret 2021)
Mainstreetartisans. Tahun tidak dise-butkan. “Francisco Goya: lukisan. Francisco Goya:biografi”, (https://ind.mainstreetartisans.com/4120900-francisco-goya-pain-tings-francisco-goya-a-biography, diakses 29 April 2021). Zappella Christine. 2015. “Goya, Third ofMay,1808”, (https://www.khanacademy.org/humanities/becoming-modern/roman-ticism/romanticism-inspain/a/goya-third-of-may-1808/, diakses 29 April 2021). Karyono, T 2018, ‘Korelat Empat Lembaga Kebenaran Manusia: Filsafat, Seni, Ilmu, Agama’, Jurnal Budaya Nusantara, Vol 1, No 2, hh 23-31.
Moore, A 2004, Inside Havana, Chronicle Books, San Fransisco.
Mulligan, T & Wooters, D 2002, 1000 Photo Icons- George Eastman House, TASCHEN, Köln.
Naomi, Rosenblum, 1997, A World History of Photography, Third Edition Abbeville Press, New York. Palmquis, S 2012, Pohon Filsafat, Terj. M. Shodiq, Pustaka Pelajar, Yogyakarta.
Soedjono, S, 2007, Pot Pourri Fotografi, Penerbit Universitas Trisakti, Jakarta.
Sugiyono, 2002, Metode Penelitilian Kualitatif, Penerbit Alfabeta, Bandung. Thohir, A & Sahidin, A 2021, Filsafat Sejarah: Profetik, Spekulatif, dan Kritis, Prenada Media, Jakarta.
William S, J, 2002, 1000 Photo Icons. George Eastman House, Taschen, Köln.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Mohammad Imam Bawon, Albertus Rusputranto
This work is licensed under a Creative Commons Attribution 4.0 International License.
Author continues to retain the copyright if the article is published in this journal. The publisher will only need publishing rights