HABITUS AS A SOCIAL FRAMEWORK IN DAUL MUSIC:BOURDIEU'S PERSPECTIVE
DOI:
https://doi.org/10.33153/acy.v17i1.7136Keywords:
musik daul, habitus, kapital ekonomi, kapital sosial, kapital budaya, kapital simbolik, piere bourdeuAbstract
This research aims to analyze Ul-daul music from the perspective of Pierre Bourdieu's sociological theory, with a focus on the concepts of habitus and capitals, including economic, social, cultural, and symbolic capitals. Ul-daul music in Madura functions not only as entertainment but also as a means to build social spaces and cultural identities. This study addresses the following questions: How does Ul-daul music shape social interactions and community dynamics in Madura? And how does habitus influence behavior patterns in the practice of Ul-daul music? This study employs a qualitative approach, collecting data through interviews, observations, and documentation. This approach allows researchers to gain a deeper understanding of Ul-daul music's role in Madurese society. The main concepts used are Bourdieu's theories of habitus and capital, which include economic, social, cultural, and symbolic aspects. Habitus explains the habits and patterns of behavior that develop in the Ul-daul community. The capitals reveal how factors such as the economy, social status, and cultural symbols play a role in strengthening and preserving this musical tradition. The results demonstrate that Ul-daul music serves as more than just entertainment; it is also a social symbol that strengthens Madurese cultural identity. Ul-daul music also plays an important role in shaping the social structure and culture of Madura.
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