STRUKTUR DRAMATIK DAN ESTETIK FILM ANIMASI THE LITTLE KRISHNA

Authors

  • Cahya Surya Harsakya Dosen Program Studi S-1 Televisi dan Film Institut Seni dan Budaya Indonesia (ISBI) Sulawesi Selatan Jl. Pampang Raya No.14 Makassar, Sulawesi Selatan

DOI:

https://doi.org/10.33153/capture.v7i2.1695

Abstract

The focus of this research is dramatic structure and animation film aesthetic,The Little
Krishna. The study of this animation uses estetic interpretation analysis, while the type of
research is descriptive qualitative with fourth processes in collecting the data, namely data
collection, reduction, data analysis, and conclusion.The result shows that applying dramatic
structure (exposition, inciting-action, conflication, crisis, climax, resolution, and conclusion) in
the The Little Krishna describes the story well,whereas colour and genre as a point of interest in
this film.In addition,unity appears in the first segment telling not only about Krishna who lives in
Vrindavan village but also in the rural area itself. On the other hand, complexity seems in third
segment with multiple conflicts where Krisna was against both King Kamsa and God Indra.
Besides, intensity appears in the last segment tells about Krishna who was serious in Vrindavan
village to prevent the Kaliya snake attacks.
Keywods : Animation,The Little Krishna,dramatic structure,dan aesthetic

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Published

2016-10-27

Issue

Vol. 7 No. 2 (2016)

Section

Articles

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Copyright (c) 2019 Cahya Surya Harsakya

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