PERHATIAN DALAM FILM RIDINGTHE LIGHT

Authors

  • Annisa Rachmatika Sari Mahasiswa Program Magister Penciptaan dan Pengkajian Seni Program Pascasarjana Institut Seni Indonesia Surakarta.
  • Matius Ali Dosen Fakultas Film dan Televisi Institut Kesenian Jakarta Kompleks Taman Ismail Marzuki No.73, Menteng, DKI Jakarta 10330

DOI:

https://doi.org/10.33153/capture.v8i1.1895

Abstract

This paper examines forms of the audience attention in RidingThe Light movies which is produced by the impressions of the object adjustment to structure basic of audience thinking. Here, objects are introducing their self to the audience so that they can be accepted and been awared by them because of their condition.Then, object makes adjustments on twelve categories in the audience brain. For finding the audience attention, theory of photoplay Münsterberg serves as the basis of research assuming that audience processes mentality because there are self adaptation of movies in the human intellection of being in the form of space, time, and causality. Therefore, attention is a one of the audience mentality process when film objects, RidingThe Light, was introducing itself.Keywords : Attention, adjustment, RidingThe Light, and film

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References

MatiusAli.2016.Estetika Pengantar Filsafat Seni.Jakarta:Sanggar Luxor

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Jakarta:Yayasan Citra.

Bordwell, David dan Kristin Thompson. 2008. Film Art Eight Edition. New

York:McGrawHil.

Münsterberg, Hugo. 1916. The Photoplay: A Psychological Study. London:

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Nyyssonen, Pasi. 1998. Film Theory at Turning Point of Modernity dalam

Jurnal Film Philosophy.Londdon.

Ismail Basbeth, 31 tahun, sutradara filmShelter, Who the Fuck is Ismail

Basbeth, Ritual, Menuju Rembulan, Mencari Hilal, dan Talak 3, Yogyakarta.

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Published

2017-08-09

Issue

Vol. 8 No. 1 (2016)

Section

Articles

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