MEMPERTEMUKAN HIPER-REALITAS DAN REFRACTIONS OF DURÉÉ : Pembacaan Multi-NaratifVisual dalam Film Simone dan Film Inception

Authors

  • Dien Vidia Rosa Dosen Program Studi Sosiologi Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Jember Kampus Tegalboto, Jalan Kalimantan 37, Jember, Jawa Timur

DOI:

https://doi.org/10.33153/capture.v8i2.2041

Abstract

Film realities emerged in multifacet.Two interesting concepts that were tried to be presented in the article were hypereality and refraction of duréé. Both were consequences of digitalization that refered to the rose of virtual space and beyond subject's consciousness.Both also effected audiens consciousness positioning to reality which was appeared. The encounter of those concepts was discussed in images power discourse. By using Barthes's semiology method tocrack and decode visual narative element of film, reality exploration was seen as signs playing and images ideology.Keywords : Hiper-realitas,refractions of duréé,multi-naratif visual film

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References

Barthes, Roland. 2004. Mitologi. Yogyakarta: Kreasi Wacana.

Baudrillard, Jean. 2000. The Vital Illusion. New York:Colombia University Press.

______1983.Simulations.Transalated by Paul Foss, Paul Patton, and Phillip Bichman.. New York: Colombia University Semiotext (e) Inc.

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Freud,Sigmund.2001.Tafsir Mimpi.Yogyakarta: Jendela.

McLuhan,Marshall.2002.Understanding Media: The Extensions of Man. London: Roudledge.

Mullarkey, John. 2009. Refractions of Reality Philosophy and the Moving Image. Hampshire:Palgrave Macmillan

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Published

2017-12-22

Issue

Vol. 8 No. 2 (2017)

Section

Articles

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