TURONGGO YAKSO IN ETHNO-PHOTOGRAPHY

Authors

  • Mandira Citra Perkasa Institut Seni Indonesia Surakarta
  • Andry Prasetyo Program Studi S-1 Fotografi

DOI:

https://doi.org/10.33153/capture.v9i2.2063

Keywords:

Ethnophotographic, Turonggo Yakso, performance, Jaranan

Abstract

The idea of a photographic creation entitled Turonggo Yakso in Ethnophotography is a follow-up in addressing the disappearance of the handwritten textbook of the founder of the art of Turonggo Yakso, which contains important notes on the art of Dongkol Village society. The book contains about the history of the art of Turonggo Yakso, the design of motion, and all the rules regarding the Baritan ceremony. The purpose of the creation of this work in an attempt to re-collect records in the form of text data from the interview results of the artists Turonggo Yakso, and visual data from the show performances which are packaged in ethnophotographic photos. The process of creating this work using the ethnophotographic method supported by Dipti Desai ie Pseudo-Ethnography or "Pseudo" ethnography, where the creator not follow the ethnographic methods strictly, but rely more on field data from interviews by informants and environmental observations. The creation of this work presents ethnophotographic works about the folk art of Turonggo Yakso in Dongko community, Trenggalek regency, East Java province from preparation, during the performance, to the end of the show.   

Downloads

Download data is not yet available.

References

Andry Prasetyo. 2014. Fotografi Dokumenter: “Representasi Faktual sebagai Cerminan Masa Depan, LAYAR-Jurnal Ilmiah Seni Media Rekam, ISBI Bandung,Vol. 1.

Barret, Terry. 2010. “Principles for Interpreting Photographsâ€, dalam Swinnen, Johan and Luc Deneulin (Eds.). The Weight of Photography: Photography History Theory and Criticism. Brussels: ASP, hal: 147-172.

Desai, Dipti. “The Ethnographic Move in Contemporary Art: What does It Mean for Art Education?â€. Studies in Art Education; A Journal of Issues and Research, 2002; Vol. 43, No. 4, hal.: 307-323.

Graham, Clarke. 1997. The Photograph. New York, Oxford University Press.

Koentjaraningrat. 2002. Pengantar Ilmu Antropologi. Jakarta: PT Rineka Cipta.

Krüger, Simone. 2008. Ethnography in the Performing Arts: A Student Guide. Liverpool: John Moores University.

Mullen, Leslie. 1998. Truth in Photography: Perception, Myth and Reality in the Postmodern World. (Master Thesis: University of Florida, tidak diterbitkan).

Mlauzi, Linje Manyozo. 2003. Reading Modern Ethnographic Photography: A Semiotic Analysis of Kalahari Bushmen Photographs by Paul Weinber and Sian Dunn. (Master Thesis University of Natal, Durban, tidak diterbitkan).

Murchison, Julian. 2010. Ethnography Essentials. San Francisco: Jossey-Bass.

Nanik Herawati. 2012. “Kearifan Lokal Bagian Budaya Jawaâ€. Magistra.No. 79 Maret 2012.

Riviera, Diana. 2010/ “Picture This: A Review of Doing Visual Ethnography: Images, Media, and Representation in Research by Sarah Pinkâ€. The Qualitative Report, Vol: 15, No. 4, 988-991.

Rafee, Yakup Mohd (et al.). 2015. “Visual Ethnography and It’s Application in Ethnographic Paintingâ€. Procedia – Social and Behavioral Sciences, Vol. 211, Hal.: 399-406.

Susanto, Mikke. 2004. Menimbang Ruang Menanata Rupa – Wajah & Tata Pameran Seni Rupa, Yogyakarta: Galang Press.

Suhrur, Misbahus. 2012. Turonggo Yakso Berjuang untuk Sebuah Eksistensi.

Whitehead, Tony L. 2005. “Basic Classical Ethnographic Research Methods: Secondary Data Analysis, Fieldwork, Observation/Participant Observation, and Informal and Semi‑structured Interviewingâ€. Ethnographically Informed Community And Cultural Assessment Research Systems (EICCARS) Working Paper Series Working Paper Series.

Downloads

Published

2018-07-17

Issue

Section

Articles