THE BAHU LAWEYAN LEGEND IN PHOTOGRAPHIC WORK

Authors

DOI:

https://doi.org/10.33153/capture.v13i2.4061

Keywords:

Legend, Bahu Laweyan, Romanticism, photography

Abstract

There is a legend of Bahu Laweyan in Surakarta, which is also found in the 19th-century Serat Witaradya by R.N. Ronggowarsito. Bahu Laweyan is a cursed woman; if she marries, her husband will die mystically soon, and the curse will not be lifted until she has been married seven times. The legend of Bahu Laweyan is a concept of folklore re-actualization to be visualized through a Romanticism-influenced photographic medium. The creative process involves three stages: experimentation, reflection, and formation. The photographic visualization of Bahu Laweyan’s stature or characteristics illustrates a charismatic, charming, extremely elegant, beautiful woman, who has a bright face but also dark shadows and lethal powers. This Romanticism-styled photograph synthesizes folklore values (legend) and modern technology (photography).

Downloads

Download data is not yet available.

References

Ajidarma, S. G. (2005). Kisah Mata Fotografi Antara Dua Subjek ; Perbincangan tentang Ada. Yogyakarta: Galangpress.

Angeline, M. (2015). Mitos dan Budaya. Humaniora, 6(2), 190. doi: https://doi.org/10.21512/humaniora.v6i2.3325

Astuti, M. (2013). Pergeseran Makna dan Fungsi Keris bagi Masyarakat Jawa. Universitas Sanatan Dharma Yogyakarta.

Astuti, S. R., Tashadi, & Sunjata, W. P. (1996). Unsur-Unsur Nilai Budaya dalam Serat Witaradya. Jakarta: Putra Sejati Raya.

Baxter, R., Hastings, N., Law, A., & Glass, E. J. (2008). A Rapid and Robust Sequence-Based Genotyping Method for BoLA-DRB3 Alleles in Large Numbers of Heterozygous Cattle. Animal Genetics, 39, 561–563. doi: https://doi.org/10.1111/j.1365-2052.2008.01757.x

Damayanti, A. A. (2019). Romantisisme di Indonesia dan Belanda pada Awal Abad ke-20. Departemen Ilmu Susastra, Universitas Indonesia.

Danesi, M. (2011). Pesan, Tanda dan Makna, Buku Teks Dasar Mengenal Semiotika dan Teori Komunikasi. Yogyakarta: Jalasutra.

Dharsono. (2016). Kreasi Artistik, Perjumpaan Tradisi Modern dalam Paradigma Kekaryaan Seni. Karanganyar: LPKBM Citra Sain.

Djawad, A. A. (2016). Pesan, Tanda, dan Makna dalam Studi Komunikasi. STILISTIKA: Jurnal Bahasa, Sastra, Dan Pengajarannya, 1(1), 95–101. doi: https://doi.org/10.33654/sti.v1i1.344

Fenda, I. Y. F., & Handriyotopo. (2021). Metaphor in the Film Setan Jawa. CAPTURE : Jurnal Seni Media Rekam, 12(2), 189–95. doi: https://doi.org/10.33153/capture.v12i2.3441

Guntur. (2020). Artistic Research: The Thoughts and Ideas of Mika Hannula. ARTISTIC : International Journal of Creation and Innovation, 1(2), 13–33. doi: 10.33153/artistic.v1i2.3115

Madsono, J., & Susanto, M. (2012). Basoeki Abdullah: Fakta & Fiksi. Museum Basoeki Abdullah (2nd ed.). Jakarta: Galeri Nasional Indonesia.

Mardiwarsito, L., Adiwimarta, S. S., & Suratman, S. (1992). Kamus Indonesia—Jawa Kuno. Jakarta: Pusat Pembinaan dan Pengembangan Bahasa Departemen Pendidikan dan Kebudayaan.

Mulder, N. (1990). Folklor Indonesia: Ilmu Gosip, Dongéng, dan Lain Lain [Indonesian Folklore: The Study of Gossip, Folktales, and Other Things], by James Danandjaja. Jakarta: Pustaka Grafitipers, 1986. Journal of Southeast Asian Studies. doi: https://doi.org/10.1017/s0022463400003374

Munro, T. (1969). Art and Violence. The Journal of Aesthetics and Art Criticism. doi: https://doi.org/10.2307/428677

Peterson, B. (2010). Understanding Exposure. New York: Amphoto Books.

Shodiq, H. M. F. (2016). Kyai Ageng Henis dalam Sejarah Industri Batik Laweyan Surakarta. GEMA, XXX(52), 2517–2536.

Soedjono, S. (2006). Pot-pourri Fotografi. Jakarta: Usakti.

Sukma, M. R. (2019). Alih Wahana Novel Rara Mendut Karangan Y.B. Mangunwijaya dalam Karya Fotografi. Repository ISI Surakarta.

Sunarto, B. (2014). Pengetahuan dan Penalaran dalam Studi Penciptaan Seni. ISI Surakarta. Retrieved from https://sipadu.isi-ska.ac.id/sidos-isbi/rpp/20132/rpp_89747.pdf

Tondowidjojo, J. (2013). Enneagram dalam Wayang Purwa. Jakarta: Gramedia Pustaka Utama.

Wibowo, A. A. (2015). Fotografi Tak Lagi Sekadar Alat Dokumentasi. Imajinasi Jurnal Seni, IX(2), 137–42.

Downloads

Published

2022-06-14

Issue

Vol. 13 No. 2 (2022)

Section

Articles

License

Copyright

Authors who publish with Capture: Jurnal Seni Media Rekam agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal. 
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.