Photography as Visual Communication Media in MSME Product Promotion

Authors

  • Taopik Hidayat Universitas Pendidikan Indonesia, Bandung, Jawa Barat, Indonesia
  • Maya Purnama Sari Universitas Pendidikan Indonesia, Bandung, Jawa Barat, Indonesia

DOI:

https://doi.org/10.33153/capture.v15i1.4305

Keywords:

Photography, Visual Communication, MSME Product

Abstract

Micro, Small, and Medium Enterprise (MSME) are one of the key sectors supporting Indonesia's economy. This study aims to analyze the role of photography as a medium of visual communication in the promotion of MSME products. The research employs a qualitative descriptive method, with the object of study focusing on product photographs uploaded on the social media platform Instagram. The results indicate that photography serves as an effective tool for creating compelling visual representations in the promotion process of MSME products. Attractive product visuals through photography can increase consumer interest and broaden audience reach. Consequently, utilizing photography in promotional strategies enhances marketing effectiveness and supports MSMEs in building product image and competitiveness in the digital marketplace.

Downloads

Download data is not yet available.

References

Angelina, A. M., Abidin, Z., dan Karyadi, FX. Y. (2018). Film Fiction Tuan X: Gestur Approach as a Psychology Mark of a Main Figure. Capture: Jurnal Seni Media Rekam, 10(1), 14-26, DOI: 10.33153/capture.v10i1.2186.

Armantono, R.B. dan Paramita, S. (2017). Penulisan Skenario Film Panjang. Jakarta: FFTV IKJ.

Bateman, J. A. (2019). Multimodality and Materiality: The Interplay of Textuality and Texturality in the Aesthetics of Film. Poetics Today, 40(2), 235-268.

Bordwell, D. K. (2017). Film Art: An Introduction. Eleventh E, McGraw-Hill Companies.

Conant, J. (2018). Cinematic Genre and Viewer Engagement in Hitchcock's Psycho. Yearbook of Comparative Literature, 64(1), 228-322.

Creed, B. (2007). Déjà Vu, Film and the Uncanny. AntiTHESIS, 17, 7-22.

Daughton, S. M. (1996). The Spiritual Power of Repetitive Form: Steps Toward Transcendence in Groundhog Day. Critical Studies in Mass Communication, 13(2).

Gheorghe, C. (2021). Crossing Borders in Film Theory and Adaptation Studies. Metacritic Journal For Comparative Studies & Theory, 7(2), 142-150.

Kovács, A. B.-Z. (2019). Causal Understanding in Film Viewing: The Effects of Narrative Structure and Personality Traits. Empirical Studies of the Arts, 37(1), 3-31.

Marutama, IGN T., Adi, S P., Taemprasit, S. (2023). Pis Bolong Poster Design: The Acculturation of Chinese and Balinese Culture in Indonesia. ARTISTIC : International Journal of Creation and Innovation, 5(1), 65-83, DOI: 10.33153/artistic.v5i1.6324

Mühlbacher, M. (2022). Plotting Memory. What Are We Made to Remember When We Read Narrative Texts? Journal of Literary Theory, 16(2), 239-263.

Pratista, H. (2008). Memahami Film. Yogyakarta: Homerian Pustaka.

Pratista, H. (2017). Memahami Film Edisi 2. Yogyakarta: Montase Press.

Sinnerbrink, R. (2020). Imagining Cinema: 'Cinempathy' and the Embodied Imagination. Paragraph, 43(3), 281-297.

Wandler, S. (2019). Groundhog Day and the Fiction of Perfection. Studies in Popular Culture. Spring, 41(2), 25-44.

Downloads

Published

2024-07-31

Issue

Section

Articles