Sasmita Gendhingdalam Pakeliran: Dulu Dan Kini

Authors

  • Sri Harti Staf Pengajar Jurusan Pedalangan Fak. Seni Pertunjukan ISI Surakarta

DOI:

https://doi.org/10.33153/lakon.v16i2.3808

Keywords:

sasmita gendhing, text-context, pakeliran

Abstract

Sasmita gendhing is a series of words that refer to the name of the gendhing as the accompaniment of Wayang Kulit Purwa. When the wayang kulit performance refers to the overnight performance of the palace pakeliran genre, sasmita gendhing becomes a bridge between the puppeteer and the pengrawit to sound the gendhing to support certain scenes. In its development, the existence of the sasmita gendhing slowly declined, even most of the puppeteers no longer used the sasmita gendhing. The text-context approach from Heddy Shri Ahimsa is used to reveal the variety of sasmita gendhings and to find the causes for the decline in the use of sasmita gendhing. The result of the study shows the various forms of sasmita gendhing including figurative words, wangsalan, and cangkriman. Meanwhile, the cause of the decline in the use of sasmita gendhing is suspected to be due to the change of image, the free structure of the scenes, the free choice of lakon, and cross style of pakeliran.

Downloads

Download data is not yet available.

References

Anderson, Benedict R O’G. 2000. Mythology and The Tolerance of The Javanese. Terjemahan Ruslani. Yogyakarta: Qalam.

Berger, Artur Asa. 2010. Pengantar Semiotika Tanda-Tanda Dalam Kebudayaan Kontemporer. Jogyakarta: Tiara Wacana.

Haryono, Timbul. 2009. “Peran Masyarakat Intelektual dalam Penyelamatan dan Pelestarian Warisan Budaya Lokal”. Pidato Dies Natalis ke-63 Fakultas Ilmu Budaya Universitas Gadjah Mada Yogyakarta.

Najawirangka. 1960. Serat Tuntunan Pedalangan Tjaking Pakeliran Lampahan Irawan Rabi. Jogjakarta: Tjabang Bagian Bahasa Djawatan Kebudajaan Departemen P.P. dan K.

Sarwanto. 2008. Pertunjukan Wayang Kulit Purwa Dalam Ritual Bersih Desa: Kajian Fungsi dan Makna. Surakarta: Isi Press dan CV. Cendrawasih.

Soetarno. 2004. Wayang kulit: perubahan makna ritual dan hiburan. Surakarta: STSI Pres.

Sudarko. 2003. Pakeliran Padat: Pembentukan dan Perkembangannya. Surakarta: Citra Etnika.

Sujiman, Panuti dan Aart van Zoest. 1991. Serba-Serbi Semiotika. Jakarta: PT. Gramedia Pustaka Utama.

Suparno, Slamet. 2011. Pakeliran Wayang Purwa: Dari Ritus Sampai Pasar. Surakarta: ISI Press.

Wiryamartana, I Kuntara. 1990. Transformasi Arjunawiwaha. Yogyakarta: Duta Wacana Press.

Zoest, Aart van. 1993. Semiotika, penerjemah Ani Soekowati. Jakarta: Yayasan Sumber Agung

Downloads

Published

2021-08-23

Issue

Vol. 16 No. 2 (2019)

Section

Articles

License

 Authors who publish with Lakon Jurnal Pengkajian & Penciptaan Wayang agree to the following terms:

  1. Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.