Wayang Beber Lakon “Joko Kembang Kuning” Garap Kontemporer Sebagai Upaya Pelestarian Dan Pengembangan Seni Tradisi

Authors

  • Suratno Suratno Staf Pengajar Jurusan Pedalangan Fak. Seni Pertunjukan ISI Surakarta
  • Jaka Rianto Staf Pengajar Jurusan Pedalangan Fak. Seni Pertunjukan ISI Surakarta

DOI:

https://doi.org/10.33153/lakon.v16i2.3813

Keywords:

wayang beber, joko kembang kuning, contemporary approach.

Abstract

The writting aims at describing the model consept of script writting  on    wayang beber‘s performance  on contemporary approach as the way to  do preservation and  cultivation  of the tradisional performing art which is nowday almost extinct. This model consept of script writting will be clarified through how to treat the character of Panji Asmarabangun and Sekartaji as the main characters in the story of “Joko Kembang Kuning”. The clarification will be answering the questions on: (1) how is the synopsis; (2) how is the structure of scenes; (3) How is the course of story and the progress of dramatics; and (4) how is the characteristic of each character on the story.

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References

Anom Sukatno, 2015. “Joko Kembang Kuning” Naskah Pakeliran Wayang Beber Padat Hari Wayang Dunia Surakarta: Institut Seni Indonesia.

Ardus M Sawega, 2013. Wayang beber antara inspirasi dan transformasi. Surakarta: Bentara Budaya Balai Soedjatmoko Surakarta.

Bagyo Suharyono, 1990. “Wayang Beber Wonosari 1900-1990”. Thesis Yogyakarta: UGM.

______________, 2005. Wayang Beber Wonosari. Wonogiri: Bina Citra Pustaka.

Marsudi, 1999. “Kemunduran Wayang Beber Karang Talun Desa Gedompol Kecamatan Donorojo Kabupaten Pacitan”. Skripsi S-1 Surakarta: Sekolah Tinggi Seni Indonesia.

Nara Sumber

Misran, 78 tahun, Pacitan, Pengrawit Wayang Beber, 19 September 2017.

Sumardi, 74 tahun, Pacitan, Dalang Wayang Beber, 21September 2017.

Slamet Haryadi, 67 tahun, Gunungkidul, Dalang Wayang Beber 15 Oktober 2017.

Purnawan, 69 tahun, Gunungkidul, Pengrawit Wayang Beber 16 Oktober 2017.

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Published

2021-08-23

Issue

Section

Articles