INOVASI ARTISTIK DAN APPROPRIASI KULTURAL SENI PERTUNJUKAN TRADISI TERHADAP BUDAYA GLOBAL

Isa Ansari

Abstract


This paper aims to analyze the relationship between tradition and contemporary conditions,
especially with the implementation of the AEC (Asean Economic Community). The problems is
how-cultural trendconducted by the local communities related to the interaction with the global
culture in the context of art.Usingcultural adaptation concept on the ecological anthropology
perspective. This approach is theorized that the process of adaptation is an active humans
action by using the power of reason while physically works in order to take advantage of the
natural resources. From visual observation of the socio-cultural phenomenonand a review of
several books, the research result at least there are some propensity adaptations made by
traditional artists, artistic innovation, cultural appropriation, and cultural delocalization.
Keywords: Artistic inovation, cultural-appropriation, delocalization.

Full Text:

PDF

References


Abdullah. Irwan, 2006, Konstruksi dan

Reproduksi Kebudayaan, Yogyakarta,

Pustaka Pelajar

Bourdieu. Pierre, 2010, Arena Produksi Kultural

sebuah Kajian Sosiologi Budaya,

Yogyakarta, Kreasi Wacana.

Brummelhuis. Hanten, 2003, From Aristocrats

to Primitive: An Interview with

Gananath Obeyesekere, dalam IIAS

Newsletter No.30, March 2003.

w w w . i i a s . n l / 3 0 /

IIASNL30_01_Brummelhuis.pdf.

Ellen. Roy, 1982, Environment, Subsistance, and

System: The Ecology of small-scale

Social Formation. New York, Cambridge University Press.

Gupta, Akil, and Fuergeuson, James, 2002,

Beyond “culture: space, identity, and

the Politics of Difference, in The

Anthropology of Globalization, Jhonatan

Xavier and Renato Rosaldo (ed),

Massachusette, Blackwell Published.

Hatley. Barbara, 2007, Contemporary and

Traditional, Male and Female in Garasi’s

Waktu Batu, in Indonesia and the

Malay World. Vol. 35, No. 101. New

York, Routledge. Pp. 93-206.

____________, 2014, Seni Pertunjukan

Kontemporer di Jawa Tengah:

Memanggungkan Identitas,

Membangun Komunitas, dalam Seni

Pertunjukan Indonesia Pasca Orde

Baru, editor. Barbara Hatley,

dkk,Yogyakarta, Universitas Sanata

Dharma. Hlm. 27-52.

Kayam, Umar, 1981, Seni, Tradisi, Masyarakat.

Jakarta, Sinar Harapan.

Outhwaite, William & Bottomore. Tom, et.al

(eds), 1994, The Blackwell Dictionary

of Twentieth-Century Social Thought.

Oxford, Blackwell Publishers.

Panji Akbar. Hendrawanto, 2011, “Potret

Kehidupan Masyarakat Dayak sebagai

Cermin Budaya Hutanâ€, Makalah seminar tidak diterbitkan.

Shils. Edward, 1981, Tradition, London, The

University of Chicago Press.

Siegel. James T. 1986, Solo in The New Order:

Language and the Hierarchy in an

Indonesian City. Princeton, Princeton

University Press.

Simatupang, Lono, 2013, Pergelaran: Sebuah

Mozaik Penelitian Seni-Budaya,

Yogyakarta, Jalasutra.

Smiers. Joost, 2009, Arts Under Pressure :

Memperjuangkan Keanekaragaman

Budaya di Era Globalisasi, Yogyakarta,

Insist.

Soemardjo, 1997, Perkembangan Teater dan

Drama Indonesia, Bandung, STSI

Press.




DOI: https://doi.org/10.33153/lakon.v11i1.2150

Refbacks

  • There are currently no refbacks.


Copyright (c) 2018 Lakon Jurnal Pengkajian & Penciptaan Wayang



Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

 

ISSN 1829-5835 (print)

Jurnal Lakon indexed by: