ERAN SEMAR, GARENG, DAN PETRUK DALAM PERTUNJUKAN WAYANG KULIT PALEMBANG LAKON PRABU UKIR GELUNG NEGAK BLABAR KAWAT
DOI:
https://doi.org/10.33153/lakon.v11i1.2151Abstract
In responding to the cultural and traditional development in Palembang, the writer tries to analyzean interesting phenomena on wayang kulit performance in Palembang involving theater Dulmuluk
artists appointed by the dalang to take the roles of Semar, Gareng, and Petruk in lakon Prabu
Ukir gelung Negak Blabar Kawat. The research is analized by using the theories of dramaturgi,
role, structure, and creativity. The data is collected by using descriptive analysis method. The
finding shows that the performance gets a good respond from the audience because of the
presence of Semar, Gareng, and Petruk. Their presence in the performance has made a
change to the performance structure and has given a good enthusiasm to the audience.
Keywords: wayangkulit Palembang, Semar, Gareng, Petruk, role.
Downloads
References
Groenendael, Victoria Maria Clara van. 1978.
Dalang di Balik Wayang. Jakarta: Grafiti
Press. Hal.325-329.
Kats, J. 1923. Het Javaansche Toonel I: Wajang
Poerwa. Weltenvreden: Comissie Voor
Volkslectuur,. Hal. 180-186.
Kayam, Umar. 1981. Seni Tradisi Masyarakat.
Jakarta: Sinar Harapan, Hal. 39.
_________. 2001. Kelir Tanpa Batas.
Yogyakarta: Gama Media Untuk Pusat
Studi Kebudayaan (PSK) UGM Dengan
Bantuan The Toyota Foundation,.
Hal.159.Kuntowidjoyo. 1984. Budaya dan Masyarakat.
Yogyakarta: Tiara Wacana, Hal.32.
Mulyono, Sri. 1976. Wayang, Asal-usul, Filsafat,
dan Masa Depannya. Jakarta: Gunung
Agung,. Hal. 85;87.
Munandar, Utami. Kreativitas dan
Keberbakatan. Jakarta: PT Gramedia
Pustaka Utama, 1999. Hal. 23; 30.
Nojowirongko. 1960. Serat Tuntunan
Pedalangan Tjaking Pakeliran
Lampahan Irawan Rabi. Jogjakarta:
Tjabang Bagian Bahasa Djawatan
Kebudajaan Departemen P.P. dan K,
Hal. 58.
Rustopo [Ed.]. 1991. Gendhon Humardan
Pemikiran dan Kritiknya. Surakarta:
STSI Press, Hal. 138.
Saleh, Abdullah dan Dalyono. R. 1996. Kesenian
Tradisional Palembang Teater
Dulmuluk. Palembang: Kantor
Departemen Pendidikan dan
Kebudayaan Kotamadia Palembang.
Sarwanto. 2012. Kehadiran Anom Suroto dan
Rebo Legen Bagi Masyarakat Pecinta
Wayang. Surakarta: ISI Press, Hal. 73.
Soedarsono. 1999. Metode Penelitian Seni
Pertunjukan Indonesia dan Seni Rupa.
Bandung: Masyarakat Seni
Pertunjukan Indonesia, Hal.1-2.
Sudibyoprono, R. Rio. 1990. Ensiklopedi
Wayang Purwa I (Compendium).
Jakarta: Departemen Pendidikan
dan Kebudayaan. Sumari. Wayang
Palembang. Sejarah dan
Perkembangannya. Materi Workshop
Pengenalan Wayang Palembang, 29-
September 2013, 2013. Hal. 3; 6;
; 10.
Supanggah, Rahayu, 2007. Bothekan Karawitan
II: Garap. ISI Press, Hal. 292.
Tasman, A. 2008. Analisa Gerak dan Karakter.
Surakarta: ISI Press, Hal.67.
Downloads
Published
Issue
Section
License
Authors who publish with Lakon Jurnal Pengkajian & Penciptaan Wayang agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
