KAJIAN SOSIOPRAGMATIK TINDAK TUTUR ASERTIF DALAM ADEGAN LIMBUKAN
DOI:
https://doi.org/10.33153/lakon.v11i1.2152Abstract
This study aims to describe the verbal interaction behavior in the dialogue of two female panakawanin wayang purwa performance by Ki Purbo Asmoro. The analysis is focused on (1) identifying the
kind of assertive speech act, deciding the dominant speech act, (2) conveying the speech
implicature and describing the implementation of assertive speech act in relation to Grice’s cooperative principles. The findings include once, the assertive speech act consists of: a. informing, b.
telling, c. thinking, d. convincing, e. responding, f. ensuring, g. confirming, h. estimating, i.
remembering, and j. implicating. The dominant assertive speech act from all the kinds is “informing†speech act. Secondly, based on the dominant conventional implicature and thirdly, there is
intentionally infraction of Grice’s cooperative principles in order to get the audiences’ sympathy as
well as to make them happy, and also to convey the explicit speech and to fulfill the politeness
principles.
Keywords: assertive speech act, implicature, and implementation.
Downloads
References
Asim Gunarwan. 2006. “The Speech Act of Criticizing among Native Speakers of
Javaneseâ€. Makalah dalam Pertemuan
pada firth Internasional Meeting of the South East Asian Linguistic Society,
Oregon 9-12 Mei 2006.
Edi Subroto. 1988. Semantik Leksikal I dan II.
Surakarta: UNS Press.
Fooley, Kathy. 1985. “The Clown in the
Sundanese Wayang Golek: Democratization of a Feodal Ethosâ€. In
Scenarium, Deel 9: Theatre of Java.
Zutphen: De Walburg.
Grice, H. Paul. 1981. “Presupposition and Conversational Implicature†dalam Radical
Pragmatics. New York: Academic
Press.
Jaka Rianto. 2004. “Nilai-Nilai Estetis Dalam
Lakon Banjaran Durno Sajian Ki Purbo
Asmoroâ€. Tesis. Yogyakarta: Universitas Gadjah Mada.
Kats, J. 1943. “Wie is Semar?†In Djawa 3: 55.
Leech Geofrey N. 1993. Pinsip-prinsip Pragmatik.
(Terjemahan M.D.D. Oka). Jakarta:
Universitas Indonesia Press.
Maurenbrecher, E.W. 1939. “De Panakawan
Figuren in de Cheribon Wayangâ€. In
Djawa, 19: 187-190.
Ras, J.J. 1978. “De Clownfiguren in de wayangâ€.
dalam jurnal: Bijdragen tot de Taal-,
Land- en Volkenkunde 134 (1978), No:
, Leiden, hal: 451-465.
Sarwanto. 2007. “Fungsi dan Makna
Pertunjukan Wayang Kulit dalam
Upacara Bersih Desa di Daerah eks
Karesidenan Surakartaâ€. Disertasi.
Yogyakarta: Universitas Gadjah Mada.
Sri Mulyono. 1977. Wayang dan Karakter Wanita.
Jakarta: Gunung Agung.
—————. 1978. Apa dan Siapa Semar.
Jakarta: Gunung Agung.
—————. 1978. Wayang: Asal-usul, Filsafat,
dan Masa Depannya. Jakarta: Gunung
Agung.
Suratno. 2012. “ Kajian Sosiopragmatik Tindak
Tutur Adergan Limbukan Dalam Seni
Pertunjukan wayang Purwa di
Surakarta (Studi Kasus terhadap Ki
Anom Suroto, Ki Purbo Asmoro, dan
Warseno Slenk)â€. Disertasi. Surakarta:
Universitas Sebelas Maret.
Yule, George. 1996. Pragmatics. Oxford: Oxford University Press.
Downloads
Published
Issue
Section
License
Authors who publish with Lakon Jurnal Pengkajian & Penciptaan Wayang agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
