LAKON JAKA BLUWO KARYA BAMBANG SUWARNO DALAM PARADIGMA STRUKTURALISME LÉVI-STRAUSS

Eko Prasetyo, S., Sarwanto

Abstract


This research is based on the assumption that lakon Jaka Bluwo by Bambang Suwarno in
wayang gedhog performance represents the Javanese knowledge sourced from mythology that
is universally received to interpret their world, both microcosm as well as macrocosm. For the
reason, it needs to gain the messages contained in the wayanglakon. The material object
chosen in the research is lakon Jaka Bluwo that is one of Panji stories which is often presented in
wayang gedhog and wayang topeng performance. The research aims to convey the messages
contained in lakon Jaka Bluwo using the paradigm of Levi - Strauss structuralism. The result of
research shows that the structuralism analysis produces a new meaning out of the meaning in
lakon Jaka Bluwo. The meaning is a deep structure which is different from the performance as
well as dramatic structures which are empirically understood. Lakon Jaka Bluwo is guessed to be
a Javanese way to describe the various knowledges about the balanced principles of human lives
that is one who is able to do the inner and outer dutiesequally.
Keywords: Lakon Jaka Bluwo, Bambang Suwarno’s work, structuralism, Levi-Strauss.

Full Text:

PDF

References


Ahimsa-Putra, Shri Heddy. 2006. Strukturalisme

Lévi-Strauss, Mitos dan Karya Sastra.

Yogyakarta.

Edraswara, Suwardi. 2013. Memayu Hayuning

Bawana: Laku Menuju Keselamatan

dan Kebahagiaan Hidup Orang Jawa.

Yogyakarta: Narasi.

Lévi-Strauss, Claude. 1967. Structural Anthropology. Translated from The French by

Claire Jacobson. New York: Anchor

Books, Doubleday and Company,

INC,.

Madyocarito.†1977. Skripsi Sarjana Muda ASKI

Surakarta.

. 2008. Pertunjukan Wayang Kulit

Purwa dalam Ritual Bersih Desa: Kajian

Fungsi dan Makna. Surakarta: ISI

Press dan CV. Cendrawasih.

Prasetyo, Eko. “Lakon Panji – Angrèni Karya

Bambang Suwarno sebuah Inovasi

Pakêliran Wayang Gêdhogâ€, Tesis

Program Studi Penciptaan dan

Pengkajian Seni ISI Surakarta.

Poerbatjaraka, R.M.Ng., 1968. Tjerita Pandji

dalam Perbandingan. Jakarta: P.T.

Gunung Agung.

. 1981. Serat Smaradahana.

Jakarta: Proyek Penerbitan Buku

Sastra Indonesia dan Daerah.

Purwanto, Sigit., 2014. Ihwal Wayang Topèng

Klaten dalam Bunga Rampai Topèng

Panji: Mengajak kepada Yang

Tersembunyi. Surakarta: Balai

Soedjatmoko.

Sarwanto. “Babak Bancak Doyok dalam

Pakêliran Wayang Gedog Dari Bapak

Soetarno. 1998. “Wayang Gedog dan

Perkembangannya,†makalah

dipresentasikan dalam Sarasehan

Wayang Langka oleh Lembaga Studi

Jawa dan Taman Budaya DIY,

Yogyakarta.

Suwarno, Bambang. 1994. “Wayang Gedog

Gaya Surakarta Ditinjau dari Segi

Bentuk dan Pertunjukan,†makalah

dipresentasikan pada perkuliahan

Program Studi Pengkajian Seni

Pertunjukan Universitas Gadjah Mada

Yogyakarta.

Wahyudi, Aris. “Lakon Wahyu Cakraningrat

dalam Paradigma Strukturalismeâ€

dalam Resital: Jurnal Ilmiah Seni

Pertunjukan, Vol. 9, No.1, Juni 2008.

. Lakon Dewa Ruci Cara Menjadi

Jawa: Sebuah Analisis Strukturalisme

Lévi-Strauss dalam Kajian Wayang.

Yogyakarta: Penerbit Bagaskara,

Zoetmulder, P.J., 1985. Kalangwan: Sastra Jawa

Kuno Selayang Pandang, Terj. Dick

Hartoko SJ. Jakarta: Djambatan.

Daftar Diskografi

Bambang Suwarno, “Jaka Bluwoâ€. Surakarta:

Rekaman Audio-Visual dalam rangka

Pentas Gebyar Dalang yang

diselenggarakan oleh RRI Surakarta,

aftar Narasumber

Bambang Suwarno (62), pakar pedalangan,

dosen Jurusan Pedalangan ISI

Surakarta. Pasar Kliwon, Surakarta.

Manteb Soedharsono (66), pakar pedalangan,

dalang profesional. Karang Pandang,

Karanganyar.




DOI: https://doi.org/10.33153/lakon.v12i1.2157

Refbacks

  • There are currently no refbacks.


Copyright (c) 2018 Lakon Jurnal Pengkajian & Penciptaan Wayang



Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

 

ISSN 1829-5835 (print)

Jurnal Lakon indexed by: