PERAN KI SUWADI DALAM PERKEMBANGAN WAYANG KULIT JAWA TIMURAN GAGRAG TROWULANAN DI KABUPATEN JOMBANG

Authors

  • Bagus Mustiko Aji Prodi Seni Pedalangan, Fakultas Seni Pertunjukan, ISI Surakarta
  • Tatik Harpawati Prodi Seni Pedalangan, Fakultas Seni Pertunjukan, ISI Surakarta

DOI:

https://doi.org/10.33153/lakon.v15i1.2318

Abstract

The tittle of this research is “The Role of Ki Suwadi on Develop East Java Leather Puppet GagragTrowulanan on Jombang regency†such as research focus of social construction study and the function structural. This research questions was formulated as follows: (1) how is the universal conception the instrumental of gagragTrowulan(2) How to Ki Suwadi safe and develop east java leatherpuppet gagragTrowulan. This Research method that use in this research is qualitative research, and the data validity used triangulation data that is data research use three methods, that is legwork with observation, interview, literature review and transcription from source audio-visual.The result of this research is the process of Ki Suwadi from “nyantrik†for senior mastermind gagragTrowulanis Ki Pit Asmoro. Ki Suwadi very take effect for the development of East Java leather puppet gagragTrowulan until now. His pakeliran get a good respond from the society, be evidenced a lot of young mastermind who doing nyantrikactivity to him. All of The students of Ki Suwadi become a mastermind. They are become a famous mastermind in his area. That is become a continuity East Java leather puppet gagragTrowulan until now (2018).Keywords : leather puppet show, Gagrag Trowulanan, The Role of Ki Suwadi, cantrik.

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References

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Firth, Raymond. Man and Culture. An Evaluation of The Work of Branislaw Malinowski. London: Routlegde and Kegan Paul.1957.

Harpawati, Tatik. “Pertunjukan Wayang Kulit Purwa Lakon Sudhamala Sebagai Tradisi Ritual Selamatan dalam Kehidupan Masyarakat Jawa,†Desertasi S-3 Program Studi Pengkajian Seni Pertunjukan dan Seni Rupa Universitas Gadjah Mada, Yogyakarta.2002.

----------,“Kajian Stilistika Pertunjukan Wayang Kulit Ki Nartasabda dalam Lakon Bima Sekti, Gathutkaca Sungging, dan Sawitri,†Tesis S-2 Program Pengkajian Teater Institut Seni Indonesia, Surakarta.2005.

Nugraha, Wisma. “Amen: Tatakelola Wayang Jekdong dalam Tradisi Jawa Timuran,†Resital, Jurnal Ilmiah Universitas Gadjah Mada Yogyakarta Vol. 9, No. 2, Desember 2008.

Sudarsono. “Perubahan dan Perkembangan Wayang Kulit Jawa Timur (1970-200),†Tesis Program Studi Kajian Budaya Program Pascasarjana Universitas Udayana, Denpasar. 2001.

Timoer, Sunarto. Serat Wewaton Padhalangan Jawi Wetanan. Jakarta: Balai Pustaka.1988.

DAFTAR NARASUMBER

Erwin Guno Asmoro (38 tahun), seniman dalang gagrag Porongan sekaligus cantrik Ki Suwadi. Tretes. Pasuruan.

Sareh (58 tahun), seniman dalang gagrag Trowulanan sekaligus cantrik Ki Suwadi. Dusun Jeruk Kewik, Desa Bareng, Kecamatan Bareng, Jombang.

Suparno Hadi (57 tahun), seniman dalang gagrag Porongan. Dusun Karangasem, Desa Karangandong RT. 02 RW. 03, Kecamatan Driyorejo, Gresik. 2015.

Surwedi (53 tahun), seniman dalang gagrag Porongan sekaligus ketua organisasi FORLADAJA. Dusun Plumpang, Desa Bakung Pringgondani, Kecamatan Balongbendo, Sidoarjo.

Suwadi (76 tahun), seniman dalang gagrag Trowulanan. Desa Grobogan, Kecamatan Mojowarno, Jombang.

Yohan Susilo (40 tahun), seniman dalang gagrag Porongan sekaligus ketua organisasi PURWAJATI. Desa Keret, Kecamatan Krembung, Sidoarjo.

DAFTAR DISKOGRAFI

Suwadi.1990. Narasoma Karama. Rekaman RRI Surabaya.

Sareh. 2006. Semar Hijrah. Rekaman Perdana Record, seri VCD, 436.5.9, Surabaya.

Suwadi. Begawan Pandhu Sambang. Koleksi Pribadi Sarutin Iyuk.tt.

Suleman. Narayana Jumeneng Ratu. Rekaman CHGB Record, Surabaya. 2008.

Suyanto. Mangliawan Gugur. Rekaman Live Streaming Punakawan.2016.

DAFTAR WEBTOGRAFI

Suara Jombang. 2016. “Pertunjukan Wayang Kulit Gaya Jombangan,†https://suarajombang.wordpress.com/2016/11/13/pertunjukan-wayang-kulit-gaya-jombangan/, (diakses 29 Mei 2018).

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Published

2019-01-23

Issue

Vol. 15 No. 1 (2018)

Section

Articles

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