SANGGIT TOKOH DALAM BANJARAN SENGKUNI

Authors

  • YB Rahno Triyogo Jurusan Pedalangan Fakultas Seni Pertunjukan ISI Surakarta

DOI:

https://doi.org/10.33153/lakon.v15i1.2323

Abstract

Banjaran Sengkuni is a play that tells about the life journey of a character named Sengkuni. Through the play the puppeteer believes that the character’s character is formed not only from birth, but also from the process of the fetus through sexual intercourse by both parents. Unless formed since in the womb, it will also be formed by the environment that surrounds it. What is meant by the environment includes the family environment, the surrounding community, and the universe. The character of Sengkuni in Banjaran Sengkuni is very determined by the process of the occurrence of a baby or fetus in the womb, which is through the process of adultery that is culturally considered negative even sin. He inherited his father’s character, namely a gandarwa named Setibar. The thing that signifies the character that can be observed is that Sengkuni’s baby despite being born in a handsome face but he fuses like a fangled father. In the tradition of canine puppet reflects a negative value.Keywords: character, fetus, environment, universe

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References

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Wawancara:

Dr. Suratno, S.Kar.M.Mus. 63 tahun adalah seorang dosen pada Fakultas Seni Pertunjukan Progam Studi Pedalangan ISI Surakarta.Ia merupakan pelaku dan pengamat seni pakeliran.

Subono, S.Kar.,MSn 63 tahun seorang dosen pada Fakultas Seni Pertunjukan Progam Studi Pedalangan ISI Surakarta. Ia merupakan pelaku seni (dalang) dan pengamat seni pakeliran serta composer seni karawitan.Wawancara tgl 8 Agustus 2017.

Ki Purbo Asmoro, mengenai proses penciptaan lakon Banjaran Sengkuni.

Joko Santoso, 58 tahun, adalah dalang professional yang bertempat tinggal di Mojosongo – Solo, mengenai sanggit lakon.

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Published

2019-01-23

Issue

Vol. 15 No. 1 (2018)

Section

Articles

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