Lakon Bharatayuda dalam Tradisi Ruwahan Sajian Ki Cahyo Kuntadi

Authors

  • Sukesi Sukesi ISI Surakarta

DOI:

https://doi.org/10.33153/lakon.v17i1.4943

Keywords:

Bharatayuda, the treatment of lakon, ruwahan, Cahyo Kuntadi.

Abstract

The ruwahan tradition is a tradition that is, until now, believed by most Javanese people to send prayers as well as to resist disaster. Usually this tradition is carried out by wayang kulit performances with lakon Bharatayuda. It is said that this tradition had existed since 1921-1926 where this lakon is believed to resist the bubonic plague. This research is meant to see the tendency of lakon treatment by Cahyo Kuntadi based on the sanggit theory proposed by Sugeng Nugroho in viewing the sanggit lakon which consists of (1) the structure of lakon, (2) the study of intertextuality, (3) the characterizations, (4) Theme and Message. The method used is descriptive analytical method, namely by presenting the research results based on empirical data in the field. The results of this study indicate that there is an interpretation of lakon done by Cahyo Kuntadi in relation to the new performance media called virtual.

Downloads

Download data is not yet available.

References

Anderson, Benedict 2009. Mithology and Tolerance of the Javanese. Equinox Publishing

Harymawan 2003. Dramaturgi. Bandung: Rosda Karya

Kalsum 2010. ”Kearifan Lokal dalam Wawacan Sulanjana: Tradisi Menghormati Padi pada Masyarakat Sunda di Jawa Barat, Indonesia” Jurnal online). Sosio Humanika. Diakses tanggal 26 Juli 2020

Nugroho, Sugeng. 2012. Lakon Banjaran Tabir Dan Liku-Likunya Wayang Kulit Purwa Gaya Surakarta. Surakarta: ISI Press

Pratiwi, Kinanti Bekti. 2018. Dari Ritual Menuju Komersial: Pergeseran Tradisi Ruwahan di Kelurahan Sukorejo, Kecamatan Wonosari, Kabupaten Klaten. “Jurnal Haluan Sastra Budaya”. Vol. 2, No. 2.

Riantiarno, Nano 2011. Kitab Teater Tanya Jawab Seputar Seni Pertunjukan. Jakarta: Gramedia

Satoto, Soediro. 1985. Wayang Kulit Purwa Makna dan Struktur dramatiknya. Jakarta: Dinas Pendidikan dan kebudayaan

Soedarsono, RM. 1998. Seni Pertunjukan Indonesia di Era Globalisasi. Jakarta : Departemen Pendidikan dan Kebudayaan. Surakarta; ISI Press

Soetarno. 2010. Teater Wayang Asia. Surakarta: ISI Press.

__________. 2011. “Makna Pertunjukan Wayang Dan Fungsinya Terhadap Masyarakat Pendukung Wayang,” dalam jurnal Dewaruci Vol 7 no 2:

NARASUMBER

Cahyo Kuntadi (40 tahun) Dalang wayang kulit sekaligus pengajar di Jurusan pedalangan ISI Surakarta, tinggal di Jaten Karanganyar.

Muhammad Pamungkas Prasetyo bayu Aji. Dalang wayang kulit tinggal di Gentan, Sukoharjo

WEBTOGRAFI

https://www.youtube.com/watch?v=rFmj7dKGbnk

https://www.youtube.com/watch?v=14To4JgOBxk&t=19206s

(https://klatenkab.go.id/warga-pandanan-karanganom-gelar-tradisi-adat-budaya

Downloads

Published

2020-07-31

Issue

Section

Articles