Kajian Fungsi Rebab: Studi Kasus Penerapan Rebab pada Mata Kuliah Pengayaan Sulukan Prodi Pedalangan

Authors

  • Sigit Hermono Pranata Laboratorium Muda Prodi Seni Pedalangan

DOI:

https://doi.org/10.33153/lakon.v20i1.5454

Keywords:

Rebab, Gamelan, Javanese, Characteristics, Treatment.

Abstract

The object of this paper is the Rebab (fiddle), a stringed instrument which plays an important role in gamelan performances. This paper is more organological in nature which focuses on two things. The first is related to the characteristics of the tool and the second is the technical maintenance of the instrument. Organologically, the fiddle is classified as an instrument that has a different character from the percussive metal instruments of gamelan in the form of bIlah (blades) and pencon. The combination of wood, leather, string/wire and hair (strings) which are the main materials in the fiddle instrument makes the fiddle has its own character and requires special care. The fiddle is a very vital ricikan instrument in Javanese gamelan because it has the main role in presenting a song or gendhing, specifically to start a song. Organologically, the fiddle is the most easily damaged ricikan tool. Its shape is like a cross which consists of several parts that have names or terms in that organ.

Downloads

Download data is not yet available.

References

Arya Sugiartha, I Gede. (2003). “Karawitan Kebyar di Bali, Suatu Tinjauan Tentang Keterampilan dan Penampilan” Dalam Bheri: Jurnal Ilmiah Musik Nusantara Volume 2 No.1. Denpasar. UPT Penerbit Institut Seni Indonesia Denpasar.

Bagus, A.A. Gde. dan I Gusti Made Suarbawa. (2004) “Laporan Penelitian Arkeologi Tungku Pengrajin Logam Di Desa Tihingan Klungkung”. Denpasar: BPKP Deputi Bidang Pelestarian dan Pengembangan Budaya Balai Arkeologi Denpasar.

Bandem, I Made. (1983). Prakempa Sebuah Lontar Gamelan Bali. Denpasar: Akademi Seni Tari Indonesia Denpasar Bali.

Djelantik, A. A. M. (1999). Estetika Sebuah Pengantar. Bandung: Masyarakat Seni Pertunjukan Indonesia.

Goris, R. (1984/1985). Bali-Atlas Kebudayaan. Jakarta: Departemen Pendidikan Dan Kebudayan.

Soemodiningrat, K.R.M.T.H..1936. Serat Karawitan. Sragen: Holah Karawitan.

Soeroso. 1985/1986. “Pengetahuan Karawitan” Laporan Pelaksanaan Penulisan Buku/Diktat Perkuliahan Institut Seni Indonesia Yogyakarta”. Yogyakarta: Proyek Peningkatan Pengembangan Institut Seni Indonesia Yogyakarta.

Sugiyono. (2011). Metode Penelitian Kuantitatif, Kualitatif Dan R&D. Bandung: Alfabeta

Sumarsam, 2003. Gamelan. Yogyakarta: Pustaka Pelajar

Sutopo, HB. 2002. Pengantar Penelitian Kualitatif. Surakarta: Pusat Penelitian UNS.

Suwardi Endraswara. 2008. Laras Manis: Tuntunan Praktis Karawitan Jawa. Yogyakarta: Kuntul Press.

Downloads

Published

2023-08-24

Issue

Vol. 20 No. 1 (2023)

Section

Articles

License

 Authors who publish with Lakon Jurnal Pengkajian & Penciptaan Wayang agree to the following terms:

  1. Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.