ESTETIKA PERTUNJUKAN WAYANG KLITHIK LAKON DAMARWULAN NGRATU SAJIAN KI HADI PURWANTO

Authors

  • Danar Yogi Iswara Fakultas Seni Pertunjukan, Institut Seni Indonesia Surakarta
  • Andi Wicaksono Fakultas Seni Pertunjukan,Institut Seni Indonesia Surakarta

Keywords:

wayang klithik, aesthetics, Nuksma and Mungguh, Damarwulan Ngratu

Abstract

This article discusses the aesthetics of the Wayang Klithik performance Lakon Damarwulan Ngratu presented by Hadi Purwanto. This research uses the aesthetic theory of puppetry namely nuskma and mungguh by Sunardi and is supported by the aesthetic concept of popular puppetry. This research is a qualitative descriptive study. The techniques of data collection consist of observation, interviews and literature study. The analysis is carried out by using a puppetry aesthetic approach that is presented systematically. The result of study were consist of : klithik puppet performered by Ki Hadi Purwanto had nuksma and mungguh esthetic, in the scene of pleasure park’s Blambangan kingdom and Majapahit kingdom. Those scenes also contained local wisdom of Jepara society.

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Published

2024-08-19

Issue

Vol. 21 No. 1 (2024)

Section

Articles

License

Copyright (c) 2024 Danar Yogi Iswara, Andi Wicaksono

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Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.