Interior Design of Omah Blues in Surakarta

Authors

  • Raden Gasta Mulyandra Jayaatmaja Institut Seni Indonesia (ISI) Surakarta
  • Ahmad Fajar Ariyanto Institut Seni Indonesia (ISI) Surakarta

DOI:

https://doi.org/10.33153/pendhapa.v13i1.2947

Abstract

Surakarta is the heart of Javanese culture; hence the people of Surakarta are closely connected to artistic activities. There are various types of arts, one of which is performing arts. The many performances held in Surakarta are one of the city government's efforts to meet the needs of its people. One of the many performances is the Solo Blues Festival, which started in 2013, and every year the enthusiasm for the Solo Blues Festival increases. The event's success was also due to the role of the blues community in Surakarta. They are involved in the Solo Blues Festival and have a fixed agenda to perform and introduce blues music to the public. However, in Surakarta, there is not yet a specific place regarding blues music to serve as a place for activists and fans of blues music to get to know blues music more deeply. Community members are still constrained to introduce blues music to the public if they only rely on the concerts they organize. Based on the problems that occur, one solution to overcome them is to design a place specifically for blues music, namely Omah Blues. The interior design of Omah Blues in Surakarta will function as a place for blues music to continue to exist and develop in Surakarta. It is hoped that Omah Blues can also represent how blues music exists and develops in society, especially among the people of Surakarta City. The interior design of Omah Blues in Surakarta will apply an art deco style combined with the kawung batik motif as a design idea. The choice of art deco was due to the rapid development of blues music in harmony with the development of the art deco style. The choice of the kawung motif as the design idea is because the kawung motif is geometric, which is in line with art deco characteristics, as well as to bring out Javanese cultural identity.Kata Kunci : Interior, Blues, Art Deco, Kawung.

Downloads

Download data is not yet available.

References

Buchori, Imam, Pangi Pangi, Angrenggani Pramitasari, Yudi Basuki, and Anang Wahyu Sejati. 2020. “Urban Expansion and Welfare Change in a Medium-Sized Suburban City: Surakarta, Indonesia.” Environment and Urbanization ASIA 11 (1): 78–101. https://doi.org/10.1177/0975425320909922.

Ching, Francis D. K., and Corky Binggeli. 2012. Interior Design Illustrated. 3rd ed. Wiley. http://gen.lib.rus.ec/book/index.php?md5=bb36fc1e98dd05d24c299fe994025803.

Edi Tri, S., and Ahmad Fajar A. Sunarmi. 2002. Buku Ajar Mata Kuliah Desain Interior Public. Surakarta: UNS Press.

Gunawan, D. Enjelina K., and Rachmat Prijadi. 2011. “REAKTUALISASI RAGAM ART DECO DALAM ARSITEKTUR KONTEMPORER.” MEDIA MATRASAIN 8 (1). https://doi.org/10.35792/matrasain.v8i1.315.

Panero, Julius. 1979. Dimensi Manusia & Ruang Interior. Erlangga.

Ramdhon, Akhmad, Heru Nugroho, and Arie Sujito. 2020. “KOTA FESTIVAL DAN SKEMA KEBIJAKAN WISATA KOTA DI SURAKARTA.” Jurnal Analisa Sosiologi 9 (2). https://doi.org/10.20961/jas.v9i2.43788.

Rizali, Nanang. 2001. “Tinjauan Filosofis Dan Semiotik Batik Kawung.” Wacana Seni Rupa 2 (1).

Steinfeld, Susanna. 2016. “The Social Significance of Blues Music.”

Sunarto, Wagiono. 2013. Gaya Desain Tinjauan Sejarah. Pascaikj.

Suptandar, J. Pamudji. 2015. “Pengantar Mata Kuliah Desain Interior Untuk Mahasiswa Arsitektur & Desai.” BUKU DOSEN-1998.

Tinniswood, Adrian. 2002. The Art Deco House: Avant-Garde Houses of the 1920s and 1930s. Watson-Guptill Publications.

Wald, Elijah. 2010. The Blues: A Very Short Introduction. Oxford University Press

Downloads

Published

2022-12-10

Issue

Vol. 13 No. 1 (2022)

Section

Articles

License

Authors who publish with Pendhapa agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.