ACTUALIZATION OF WOMEN IN DOMESTIC AREAS IN THE GALUH FILM

I Gusti Ayu Agung Aryawaningrat; Hendra Santosa; I Komang Arba Wirawan

doi:10.33153/capture.v11i1.2651

ACTUALIZATION OF WOMEN IN DOMESTIC AREAS IN THE GALUH FILM

I Gusti Ayu Agung Aryawaningrat, Hendra Santosa, I Komang Arba Wirawan

Abstract

This research focuses on the actualization of women in the domestic area in the film Galuh. This film is an interesting study because the content in this film that contains local wisdom with the source of film ideas from marriage Pada Gelahang and also emphasizes the identity of conventional women with their domestic space. The formulation of the problem in the research is how the actualization of women in their domestic areas in the film Galuh. The purpose of this study is to study the actualization of women in their domestic territory in the film Galuh. This study uses descriptive qualitative research methods, with interpretive analysis. This research uses film’s elements such as narrative film and cinematic as well as ecofemism to present the spectrums that are seen in films that show women in quite different ways by complementing Galuh and which load more in the domestic area. The results of this study provide a specific understanding of Galuh through narrative and cinematic films that depict Galuh and her daughter as conventional and unconventional female characters with their domestic space.

Keywords

Ecofeminism, domestic space, and film Galuh

Full Text:

PDF

References

Abdullah, I. (2006). Sangkan Paran Gender. Yogyakarta: Pustaka Pelajar.

Anggara, I. G. A. S., Santosa, H., & Udayana, A. A. G. B. (2019). Character Education and Moral Value in 2D Animation Film Entitled Pendeta Bangau. CAPTURE : Jurnal Seni Media Rekam, 10(2), 57–70.

Arivia, G. (2002). Ekofeminisme: Lingkungan Hidup Berurusan dengan Perempuan. Jurnal Perempuan, (21), 111–120.

Barker, C. (2009). Cultural Studies (Teori dan Praktik). Yogyakarta: Kreasi Wacana.

Beauvoir, S. D. (2003). Second Sex. Yogyakarta: Pustaka Promethea.

Candraningrum, D. (2013). Ekofeminisme dalam Tafsir Agama, Pendidikan, Ekonomi, dan Budaya. Yogyakarta: Jalasutra.

Ejchenbaum, B. (1974). Probleme der Filmasthetik. In Poetik des Film. Munich: Wilhelm Fink Verlag.

Hoyenga, K., & Hoyenga, K. T. (1993). Gender-Related Differences. New York: Allyn & Bacon.

Khouloki, R. (2007). Der filmische Raum, Konstruktion, Wahrnehmung, Bedeutung. Berlin: Bertz and Fischer.

Monaco, J. (1997). Film Verstehen. Reinbek: Rowohlt Taschenbuch.

Oakley, A. (1974). Housewife. London: Allen Lane.

Schneider, I. (1992). Zur Theorie des Stereotyps, Voruberlegung zur Untersuchung Amerikanischer Serien im Deutschen Fernsehen. Beitrage Zur Film- Und Fernsehwissenschaft, (43), 29–47.

Sintowoko, D. A. W., & Sugihartono, R. A. (2014). Kostum dalam Membangun Karakter Tokoh pada Film Soekarno. CAPTURE : Jurnal Seni Media Rekam, 6(1). Retrieved from https://jurnal.isi-ska.ac.id/index.php/capture/article/view/725

Wiyatmi. (2017). Ekofeminisme: Kritik Sastra Berwawasan Ekologis dan Feminis. Yogyakarta: Cantrik Pustaka.

DOI: https://doi.org/10.33153/capture.v11i1.2651