Vol. 11 No. 1 (2019)

Articles

• REYOG OBYOGAN IN PHOTO ESSAY

  Oki Cahyo Nugroho, Deny Wahyu Tricana

  1-16

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• CREATIVE STRATEGY IN PRODUCTION OF PROMOTION VIDEO FOR THE RATTAN TOURISM VILLAGE OF TRANGSAN

  Daniel Andhika Morgana, Sigit Rizal H, Firdana Bilankawa, Alpin Ramadhian, Nur Rahmat Ardi Candra D.A

  17-27

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• CREATIVE DIRECTION OF IKA MAHARDIKA IN THE PREPRODUCTION OF THE UNREMEMBERED DOCUMENTARY FILM

  St. Hadidja Syam, Damar Tri Afrianto, Sri Wastiwi S

  28-45

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• ACTUALIZATION OF WOMEN IN DOMESTIC AREAS IN THE GALUH FILM

  I Gusti Ayu Agung Aryawaningrat, Hendra Santosa, I Komang Arba Wirawan

  46-59

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• SEMIOSIS PROCESS IN THE SOUNDS OF GAMELAN AND PESINDEN IN SANDEKALA FILM

  Andri Albertha Pratama, Santosa Soewarlan

  60-80

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• THE CONCEPT OF CHINESE-INDONESIAN-NESS AS SEEN FROM ERNEST PRAKASA’S ROLES IN NGENEST, CEK TOKO SEBELAH, SUSAH SINYAL AND STIP & PENSIL

  Anton Sutandio, Sonny Angjaya

  81-103

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• EDITING CROSS-CUTTING IN THE FILM HAJI BACKPACKER

  Prajanata Bagiananda Mulia, D., Dharsono

  104-122

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