ACTANTIAL MODEL IN THE NELYUBOV MOVIE

Authors

  • Jasmine Disca Haryadi Universitas Indonesia
  • Hendra Kaprisma Universitas Indonesia

DOI:

https://doi.org/10.33153/capture.v12i2.3252

Keywords:

movie, Nelyubov, Russia, Actantial Model

Abstract

Through the characters of Zhenya and Boris, the film Nelyubov (2017) explores the issue of a toxic marriage. The story's theme reflects the complexities of the characters' relationships and the resulting problems. This theme adds intrigue to the film's problem articulation, particularly how the film's conflict can be constructed. Accordingly, this study seeks to identify the actant schemes created in the Nelyubov film. This study examines the location of individuals in the film using Algirdas Julien Greimas' Actantial Model theory. Further, this article employs Mills' Discourse Analysis and Smith's Interpretative Phenomenological Analysis (IPA). The results indicate representations for the subject, object, helper, opposer, sender, and receiver in the Nelyubov film, allowing for the fulfillment of the three kinds of axis: the axis of desire, the axis of power, and the axis of transmission/knowledge. The film's subject is Zhenya, and the object is the happiness he seeks.

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Author Biography

Jasmine Disca Haryadi, Universitas Indonesia

Program Studi Rusia

References

Buku:

Greimas, A. J. (1983). Structural Semantics: An Attempt at a Method. US: University of Nebraska Press.

Greimas, A. J. (1990). Narrative Semiotics and Cognitive Discourses. US: University of Minnesota.

Hébert, L. (2011). Tools for Text and Image Analysis: An Introduction to Applied Semiotics. Rimouski: University of Quebec.

Mills, Sara. (1997). Discourse. London and New York: Routledge.

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Sharita, Y. (2016). The Actantial Analysis and Discussion on Gender Ideology in The Book of Life (2014). Depok: Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia.

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Peisa, J. (2008). The Unable Individual: The Actantial Analyses of Three Chinese Films and Discussion on Their Representations of the Individuals’ Position in Contemporary Chinese Society. Master’s Thesis. https://helda.helsinki.fi/bitstream/handle/10138/19218/theunabl.pdf?sequence=2 diakses pada 22 Januari 2020, 18:20.

Pilipoveca, T. (2017). Interpreting ‘The Snow Queen’: A Comparison of Two Semantic Universes. Sign Systems Studies 45(1/2), 181-193.

Smith, J. A., & Osborn, M. (2015). Interpretative Phenomenological Analysis as a Useful Methodology for Research on the Lived Experience of Pain. British Journal of Pain, 9(1), 41–42. doi:10.1177/2049463714541642.

Ventura, L. S. L., & Martins, F. (2014). Greimas's Actantial Model as an Interpretation Method in the Psychodynamic and Phenomenological Clinic. Folia Medica, 56, 52-53.

Diskografi:

Alexander Rodnyansky (Producer). (2017). Loveless. [Videotape]. Moscow: Non-Stop Production.

Zvyagintsev, Andrei & Oleg Negin. (2017). Loveless - Screenplay. Moscow: Non-Stop Production.

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Published

2021-07-03

Issue

Section

Articles