Vol. 12 No. 2 (2021)

Articles

• CONCEPT OF FORM IN THE FILM DILAN 1990

  Naafi Nur Rohma

  117-131

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• THE POWER OF BU TEJO AND DIAN? THE ANALYSIS OF FEMINIST POWER RELATION IN THE FILM TILIK

  Sonny Angjaya

  132-159

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• ACTANTIAL MODEL IN THE NELYUBOV MOVIE

  Jasmine Disca Haryadi, Hendra Kaprisma

  160-175

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• SOCIAL CRITICISM IN THE MISTER FRIMEN ANIMATED SERIES

  Riska Ristiasari, Hendra Kaprisma

  176-188

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• METAPHOR IN THE FILM SETAN JAWA

  Intan Yulia Febbyu Fenda, Handriyotopo Handriyotopo

  189-195

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• 'MONUMEN KREWENG' 3D ANIMATION VIDEO AS A VISUAL BRANDING STRATEGY FOR JURON TOURIST VILLAGE

  Aries Budi Marwanto, Damar Tri Afrianto, Nur Rahmat Ardi Chandra Dwi Atmaja

  196-206

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• AN AUTEUR OF DECADENCE: SOFIA COPPOLA AND THE UNBEARABLE HEAVINESS OF COMING OF AGE

  Nayla Majestya

  207-218

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