EKSISTENSI KOMUNITAS HANDLETTERING SURAKARYA DI SURAKARTA
DOI:
https://doi.org/10.33153/citrawira.v1i2.3521Keywords:
community, handlettering, existence, Surakarta.Abstract
The existence of the Surakarya Handlettering Community in Surakarta. This community is a learning group to write handlettering art in Surakarta, which was formed in 2014, where currently dozens of members have joined who have creativity and expertise in the art of handlettering. This research uses descriptive qualitative method which aims to examine how the role of the Surakarya Community in the development of handlettering in Surakarta and how to develop the style and work of handlettering in Surakarta. Data analysis was carried out by interviewing several community members, direct observation by means of observation and making a questionnaire, and documenting community activities in the form of pen meet-ups. This research found that the existence of communities in popularizing the arts of handlettering and calligraphy was formed through two aspects, namely the role through several internal and external activities such as exhibitions, belcor (belmen corner), pen meet up, ngangsu kaweruh and lettering camp. The second aspect is in the form of alternative styles and handlettering works that have been developed covering 7 (seven), namely: decorative lettering, script lettering, chalk lettering, watercolor lettering, calligraphy brushes, modern calligraphy and calligraphy blackletter. The art of handlettering is in the form of murals that decorate several cafes and corners of the city of Surakarta, besides the work of the Surakarya community which is applied in the form of media such as helmets, tote bags, packaging, pillow covers and t-shirts. For the Surakarya community in the future it will be more developed and promote the community in cultivating the arts of handlettering and calligraphy both at the local and national levels.
Downloads
References
Abbey Sy. 2016. The ABC Of Hand Lettering. Edisi Bahasa Indonesia. Depok Jawa Barat: PT Huta Parhapuran.
Handriyotopo. 2014. Tipografi Dekoratif Kawung Floral Regular. Acintya. Volume 6 No. 2. Surakarta: Institut Seni Indonesia Surakarta. (Online)
Rizky Aribowo. 2013. Eksistensi Bomber dan Komunitas Graffiti. Surakarta: Universitas Sebelas Maret. Skripsi tidak diterbitkan
Soerjono Soekanto. 1983. Sosiologi: Suatu Pengantar. Jakarta: Yayasan Penerbit Univertas Indonesia.
Narasumber:
Fadhl Waliy Ul Haqq, 22 tahun, Surakarta, Founder Komunitas Surakarya
Wendy Wahyu, 31 tahun, Surakarta, Founder Komunitas Surakarya dan Seniman Brush Kaligrafi.
Ruddy Setiawan, 25 tahun, Ketua Komunitas Surakarya dan Seniman Decorative Lettering.
Witoko Aji Laksono, 24 tahun, Anggota Komunitas Surakarya dan Seniman Script Lettering.
Alib Isa, 35 tahun, Founder Komunitas Surakarya dan Seniman Chalk Lettering.
Rosalia Destarisa, 24 tahun, Anggota Komunitas Surakarya dan Seniman Watercolor Lettering
Insannita Muthi’ah, 25 tahun, Anggota Komunitas Surakarya dan Seniman Modern Kaligrafi
Muhammad Rizazul Akmal, 26 tahun, Anggota Komunitas Surakarya dan Seniman Blackletter Kaligrafi
Downloads
Published
Issue
Section
License
Copyright (c) 2021 Rizky Priya Aji, Taufik Murtono

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with CITRAWIRA : Journal of Advertising and Visual Communication agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
 
						 
							 
 



