KREATIVITAS SURYATI DALAM MENYAJIKAN CENGKOK SINDHENAN BANYUMASAN
DOI:
https://doi.org/10.33153/keteg.v19i2.3076Abstract
This research topic is raising about Suryati as one of the Banyumas sinden who contributed to the development of Banyumas style of music. Suryati’s artistic process is formed by several factors, Suryati’s family environment support helped his success in finding the soul of sindhen in himself. that are The Suryati’s selfishness and her persistence which are very important factors that shaped her creativity. So that her styles and “anggit” that Suryati brought were the essence of her artistic environment. Suryati’s character is identical with prenes, meticulous, actualized titen into suryati Sindhenan style twists. So people who hear Suryati’s twisted can guess that it is a form of Suryati’s twisted characteristic. With the ethnographic method, several factors forming the creativity of Suryati’s artistic style will be explained. One of the results of Suryati’s efforts was to introduce “gendhing Banyumasan” in Java and its surrounding area.
Keywords: Sinden, karawitan, Banyumasan, Suryati, ethnography.
Downloads
References
Kepustakaan
Agus Sujanto dkk. 1982. Psikologi Kepribadian. Jakarta: Aneka Baru.
Budiarti, Muriah. 2008. “Sindhenan Banyumasan.” Keteg 8 (1). https:// doi.org/https://doi.org/10.33153/ keteg.v8i1.619.
Darno. 2006. “Revitalisasi Gending-Gending Banyumasan Dalam Gamelan Calung, Sebuah Tawaran Karya Seni.” Keteg.
Dewantara, Ki Hadjar. 1967. “Karya Ki Hadjar Dewantara.” In Kebudayaan. https://doi.org/10.1109/ INFCOMW.2009.5072193.
Volume 19 Nomor 2 Bulan November 2019
Jurnal Pengetahuan, Pemikiran, dan Kajian Tentang “Bunyi”
Proses Kreativitas Suryati dalam Sindhenan Banyumasan
Muriah Budiarti dan Siswati
Hadiati, Chusni, and R. Handoyo. 2020. “Wangsalan as an Indirect Communication Strategy in Banyumasan.” In . https://doi.org/ 10.4108/eai.5-8-2019.2289783.
Hapsari, Kusnila, and Suyoto Suyoto. 2019. “Sindhenan Gendhing Jomplangan Gaya Sujiati Mentir Di Sragen.” Keteg: Jurnal Pengetahuan, Pemikiran Dan Kajian Tentang Bunyi. https://doi.org/ 10.33153/keteg.v18i2.2400.
Irawan, Endah, R.M. Soedarsono, and G.R. Lono L. Simatupang. 2014. “Karakter Musikal Lagu Gedé Kepesindenan Karawitan Sunda.” Resital: Jurnal Seni Pertunjukan 15 (1): 18–31. https:// doi.org/10.24821/resital.v15i1.797.
James Dananjaja. 1986. Folklor Indonesia. jakarta: Pustaka Grafitipers.
M. Koderi. 1991. Banyumas Wisata Dan Budaya. Purwokerto: CV. Metro Jaya.
Martopangrawit. 1972. Pengetahuan Karawitan. Surakarta: ASKI.
Mujito, Wawan Eko. 2014. “Konsep Belajar Menurut Ki Hadjar Dewantara Dan Relevansinya Dengan Pendidikan Agama Islam.” Pendidikan Agama Islam.
R. Supanggah. 1984. “‘Pengetahuan Karawitan.’” surakarta.
———. 2005. Bothekan Karawitan. surakarta: ISI Press.
Siswati. 2019. “Cengkok Sindhen Bergaya Pop Sebagai Pendukung Industri Hiburan.” Keteg 19 (1): 56–65.
Sudarso. 1999. “Warna Banyumasan, Wetanan, Atau Kulonan Dalam Garap Gendhing Unthuluwuk, Ricik- Ricik, Dan Blendrong Kulon Pada Gamelan Calung.” STSI.
Suharto, S., Totok Sumaryanto, Victor Ganap, and Santosa Santosa. 2016. “Banyumasan Songs As Banyumas People’s Character Reflection.” Harmonia: Journal of Arts Research and Education. https://doi.org/10.15294/ harmonia.v16i1.6460.
Suraji. 2005. “Sindhenan Gaya Surakarta.” STSI Surakarta.
Suyoto. 2016. “Sukon Wulon Dalam Tembang Macapat: Studi Kasus Tembang Asmarandana.” Keteg/ : Jurnal Pengetahuan, Pemikiran Dan Kajian Tentang “Bunyi.”
Waridi. 1997. “R.L. Martopangrawit Empu Karawitan Gaya Surakarta Sebuah Biografi.” UGM.
Widyaningsih, Rindha. 2014. “Bahasa Ngapak Dan Mentalitas Orang Banyumas/ : Tinjauan Dari Perspektif Filsafat Bahasa Hans-Georg Gadamer.” Jurnal Ultiama Humaniora.
