TRANSFORMASI GARAP GENDING CUCUR BAWUK KE DALAM MUSIK CAMPURSARI KELOMPOK BALISA
DOI:
https://doi.org/10.33153/keteg.v19i2.3078Abstract
The transformation of garap music into campursari music of the Balisa group in Sragen was motivated by the phenomenon of garap transfer from traditional musical karawitan into campursari musical form. This garap transition is a creative way for Balisa members to work on garap gending, one of which is Gendhing Cucur Bawuk into campursari music. The creative process that occurs in the elements of working on music is manifested in the stages in transforming the processing of gending. The transformation process of gending is influenced by several supporting factors. To answer this problem, the author uses the concept of garap and is supported by thoughts about transformation. This research uses a qualitative methodology, by conducting observations, interviews and literature studies so that information or related data are obtained. The purpose of this study was to determine the process of transformation of music production that occurred in the Balisa Campursari group. The results showed that the transformation of music production in the Campursaari Balisa group went through several stages such as instrument adjustment, laras adjustment, and style adjustment. The factors that support this transformation process are determined by the “penggarap”, garap determinant and garap consideration.Keywords: transformation, campursari music, garap gending.Downloads
References
Kepustakaan
Antoniades, A. C. 1992. Poetics of Archi-Tecture: Theory of Design. New York: Van Nostrand Reinhold.
Astuti, Eka Nopi & Sugimin. 2017. “Garap Rog-Rog Asem Dalam Gending Gaya Surakarta.” Kêtêg: Jurnal Pengetahuan, Pemikiran Dan Kajian Tentang Bunyi 17 (1): 13–27.
Atmotjendono, Najawirangka al. 1960. “Serat Tuntunan Pedalangan, Tjaking Pakeliran Lampahan Irawan Rabi Jilid I Bab II,.” Yogyakarta.
Byrd, J & Brown, P.L. 2002. The Innovation Equation. Building Creativity and Risk Taking in Your Organization. San Fransisco: Jossey-Bass/Pfeiffer.
Finarno, Hannova Aji & Santosa. 2019. “Garap Musikal Gending Dalam Film Setan Jawa.” Kêtêg: Jurnal Pengetahuan, Pemikiran Dan Kajian Tentang Bunyi 19 (1): 15–24.
Haryanto. 2015. “Eksistensi Campursari Marina Di Dusun Ngampel Keurahan Gentungan Kecamatan Mojogedang Kabupaten Karanganyar.” Institut Seni Indonesia (ISI) Surakarta.
Volume 19 Nomor 2 Bulan November 2019
Jurnal Pengetahuan, Pemikiran, dan Kajian Tentang “Bunyi”
Transformasi Garap Gending ke dalam Musik Campursari...
Heri Prasetyo dan Muhammad Nur Salim
Herliana, Emmelia Tricia. 2017. “Analogi Musik-Arsitektur Melalui Proses Transformasi Pada Simulasi Perluasan Gereja Katedral Bogor.” Jurnal Arsitektur KOMPOSISI 10 (1): 57–76. https://doi.org/10.24002/ jars.v10i1.1054.
Jayantoro, Setyawan. 2018. “Transformasi Konfrontatif Komposisi Gamelan Baru: Revitalisasi Penciptaan Inovativ Dan Peran VItal Perguruan Tinggi Seni.” Kêtêg: Jurnal Pengetahuan, Pemikiran Dan Kajian Tentang Bunyi 18 (1): 25–38.
Merriam, Allan P. 1964. The Anthropology of Music. Evanston, Illinois: Northwestern University Press.
Nyawitri. 2009. “Senggakan Campursari Sebuah Perubahan Musikalitas.” Institut Seni Indonesia (ISI) Surakarta.
Pertiwi, Indri Setya. 2011. “Kreativitas Karawitan Pada Kelompok Campursari Sangga Buana.” Insitut Seni Indonesia (ISI) Surakarta.
Puasari, Ingan. 2015. “Gending Patalon Dalam Wayang Kulit Purwa Gaya Surakarta Studi Kasus Gending Cucur Bawuk.” Institut Seni Indonesia (ISI) Surakarta.
Setiawan, Timotius. 2007. “Orgen Tunggal ‘Campursari’ Di Karanganyar Sebuah Transformasi Musik Grub Ke Musik Solo.” Institut Seni Indonesia (ISI) Surakrta.
Sulastianto, Harry. 2006. Seni Budaya. Jakarta: Media Pratama Grafindo.
Sumardjo, Jacob. 2000. Filasafat Seni. Bandung: Penerbit ITB.
Sumarsam. 2003. Gamelan: Interaksi Budaya Dan Perkembangan Musikal Di Jawa. Yogyakarta: Pustaka Pelajar.
Supanggah, Rahayu. 2007. Bothekan II: Garap. Surakarta: ISI Press.
Witari, Wahyu. 2013. “Transformasi Musik Sholawatan Ke Dalam Campurngaji Kelompok Rebana Darusalam Lalung Karanganyar.” Institut Seni Indonesia (ISI) Surakrta.
Wiyoso, Joko. 2007. “Jejak Campursari (The History of Campursari).” Harmonia - Journal of Arts Research and Education 8 (2): 108–16. https://doi.org/ 10.15294/harmonia.v8i2.783.
Yuliatin, Riyana Rizki &, and Dharma Satrya HD. 2019. “Kontekstualisasi Tradisi: Penjelajahan Awal Menujuk Teater Kontemporer.” Logat 6 (2): 137–50.
Daftar Narasumber
Mulyono, (33 tahun), anggota campursari Balisa. Karanganom, Sukodono, Saragen.
Dwi Listyo, (36 tahun), anggota campursari Balisa. Celep, Kedawung, Sragen.
Purwa Askanta (54 tahun), seniman, komposer dan dosen pengajar di Jurusan Karawitan ISI Surakarta, Mojosongo, Jebres, Surakarta.