FUNGSI MUSIK DALAM RITUAL TIBAN DI DESA PURWOKERTO KECAMATAN NGADILUWIH KABUPATEN KEDIRI
DOI:
https://doi.org/10.33153/keteg.v20i1.3563Keywords:
Tiban ritual, Tiban music, Functions of MusicAbstract
The article entitled "The Function of Music in Tiban Rituals in Purwokerto Village, Ngadiluwih District, Kediri Regency" focused on the issue of Tiban ritual forms, Tiban ritual music performance and the function of Tiban ritual music. The results showed that the Tiban ritual was held during the long dry season with the aim for asking for rain through whipping by the perpetrators or what is called petiban. The people believe that the Tiban ritual can bring rain by means of media of blood dripping on the ground. Tiban music has several motifs in the wasp structure that characterizes it. Tiban music has an important function in Tiban rituals. The functions of music include the function of emotional expression, aesthetics, communication, physical reaction, legalization of social institutions and religious ceremonies, cultural sustainability, and community integration.Downloads
References
Abimanyu, Petir. 2014. Mistik Kejawen : Menguak Rahasia Hidup Orang Jawa. Jogjakarta: Palapa.
Becker, Judith. 1994. “Music and Trance.” Leonardo Music Journal 4: 41–51.
Bruner, Edward M, and Victor W Turner. 1986. The Anthropology of Experience. Urbana and Chicago: University of Illinois Press.
Djelantik, A. M. 1999. Estetika Sebuah Pengantar. Bandung: Masyarakat Seni Pertunjukan Indonesia.
Djohan. 2010. Respon Emosi Musikal. Bandung: Lubuk Agung.
Geertz, Clifford. 1992. Tafsir Kebudayaan. Yogyakarta: Kanisius.
Goleman, D. 1996. Emotional Intelligence: Kecerdasan Emosional, Mengapa EI Lebih Penting Daripada IQ. Jakarta: Gramedia.
Ismail, Arifuddin. 2012. Agama Nelayan: Islam Lokal Di Tanah Mandar. Yogyakarta: Putaka Pelajar.
Kastolani, and Abdullah Yusuf. 2016. “Relasi Islam Dan Budaya Lokal (Studi Tentang Tradisi Nyadren Di Desa Sumogawe Kecamatan Getasan Kabupaten Semarang).” Kontemplasi 04 (01): 52.
Koentjaraningrat. 1990. Pengantar Ilmu Antropologi. Jakarta: Rineka Cipta.
———. 1997. Pengantar Antropologi (Pokok-Pokok Etnografi II). Jakarta: PT Rineka Cipta.
Langer, Suzanne K. 1988. Problematika Seni. Bandung: STSI Bandung.
Larry A. Samovar, Richard E. Porter, and Edwin R. McDaniel. 2010. Komunikasi Lintas Budaya: : Communication Betwen Culture. 7th ed. Jakarta: Salemba Humanika.
Merriam, Allan P. 1964. The Anthropology of Music. Evanston, Illinois: Northwestern University Press.
Münte, T. F., E. Altenmüller, and L. Jäncke. 2002. “The Musician’s Brain as a Model of Neuroplasticity.” Nature Reviews Neuroscience 3 (6): 473–78.
Salim, Muhammad Nur. 2018. “Keterikatan Antara Sajian Gending Dan Proses Pencapaian Ndadi Pada Pertunjukan Jathilan.” Dewa Ruci: Jurnal Pengkajian Dan Penciptaan Seni 13 (2): 73–97. https://doi.org/10.33153/dewaruci.v13i2.2507.
Schechner, Richard. 1985. Betweeen Theatre and Anthropology. Philadelphia: University of Pennsylvania Press.
———. 2002. Performance Studies An Introduction. London and New York: Routledge.
Sumardjo, Jacob. 2006. Estetika Paradoks. Bandung: Sunan Ambu Press.
Sumintarsih. 2007. “Dewi Sri Dalam Tradisi Jawa.” Jantra II (3): 136–44.
Turner, V. 1969. The Ritual Process. London: Routledge and Kegan Paul.
