EKOLOGI MASYARAKAT MINANGKABAU PADA LAGU SOSOH DALAM UPACARA TABUIK DI PARIAMAN, SUMATRA BARAT
DOI:
https://doi.org/10.33153/keteg.v23i1.5167Keywords:
sosoh, song, tabuik, ecology, musicAbstract
The Sosoh song is played during the Tabuik ceremony. Its purpose is to facilitate the battle in the ritual which aims to represent the war experienced by Husein in Karbala, Iraq. The aim of this research is to explore the relationship between the performance of the Sosoh song and the ecological system in Minangkabau culture. This study uses ethnographic methods with primary sources of data being field notes, interviews, and documentation. The results of this study show that the Sosoh song is not only related to the ritual context but also to Minangkabau culture as a whole. This is demonstrated by the reciprocal relationship between the song and cultural construction. It can be seen that the Sosoh song is an actualization of how the concept of resilience in maintaining sovereignty in a nagari within the cultural context is embodied in warfare during the ceremony. In conclusion, the Sosoh song has a significant role in Minangkabau culture and is not just limited to the context of the Tabuik ceremony. The research findings can help to raise awareness and appreciation of the cultural heritage of Minangkabau, and could potentially be used to promote the preservation and development of this unique culture.Downloads
References
Armstrong, Karen. 2014. Sejarah Tuhan: Kisah 4.000 Tahun Pencarian Tuhan Dalam Agama-Agama Manusia. Mizan Pustaka.
Asril, Asril. 2013. “Perayaan Tabuik Dan Tabot: Jejak Ritual Keagamaan Islam Syiâ€TM Ah Di Pesisir Barat Sumatra.” Panggung 23 (3): 298297.
———. 2015. “Peran Gandang Tasa Dalam Membangun Semangat Dan Suasana Pada Pertunjukan Tabuik Di Pariaman.” Humaniora 27 (1): 67–80.
Blacking, John. 1973. : “: How Musical Is Man? London: Faber and Faber.”
Capra, Fritjof. 1994. “Ecology and Community.” Center for Ecoliteracy, 1–11.
———. 2007. “The Turning Point: Titik Balik Peradaban, Sains, Masyarakat Dan Kebangkitan Kebudayaan.” Yogyakarta: Penerbit Jejak.
Capra, Fritjof, and Ove Daniel Jakobsen. 2017. “A Conceptual Framework for Ecological Economics Based on Systemic Principles of Life.” International Journal of Social Economics 44 (6): 831–44.
Clarke, Eric. 2005. Ways of Listening: An Ecological Approach to the Perception of Musical Meaning. Oxford University Press.
Colyvan, Mark, and Katie Steele. 2011. “Environmental Ethics and Decision Theory: Fellow Travellers or Bitter Enemies?” In Philosophy of Ecology, 285–99. Elsevier.
Fritjof, Capra. 2002. “Jaring-Jaring Kehidupan: Visi Baru Epistemologi Dan Kehidupan.” Terj. Saut Pasaribu. Yogyakarta: Fajar Pustaka Baru.
Heidegger, Martin. 2011. Existence and Being. Read Books Ltd.
Indonesia, Ghalia. n.d. “Jakarta, 2002. Asril Sitompul.” Praktek Monopoli Dan Persaingan Usaha Tidak Sehat (Tinjauan Terhadap Undang-Undang Nomor 5 Tahun 1999).
Kato, Tsuyoshi. 2020. Adat Minangkabau Dan Merantau Dalam Perspektif Sejarah. PT Balai Pustaka.
Keraf, A Sonny. 2014. Filsafat Lingkungan Hidup: Alam Sebagai Sebuah Sistem Kehidupan Bersama Fritjof Capra. PT Kanisius.
Malik, Cameron. 2013. “Musik Sosoh Untuk Membentuk Sikap Kebertahanan Dalam Upacara Tabuik Di Pariaman Sumatera Barat.” INSTITUT SENI INDONESIA (ISI) SURAKARTA.
Maturana, Humberto R, and Francisco J Varela. 1991. Autopoiesis and Cognition: The Realization of the Living. Vol. 42. Springer Science & Business Media.
Navis, Ali Akbar. 1984. “Alam Terkembang Jadi Guru: Adat Dan Kebudayaan Minangkabau.” (No Title).
Rovylendes, Asril1 Andar Indra Sastra1 Adjuoktoza. n.d. “1. Karawitan Department, Faculty of Performing Arts, Indonesian Institute of the Arts Padangpanjang, West Sumatra, Indonesia.”
Sastra, Wilma Sriwulan Andar Indra. 2020. “Shi’a and the Tabuik Tradition: A Religious Ritual in Aesthetical Packaging in the Pariaman Community of Minangkabau–West Sumatera.”
Small, Christopher. 1999. “Musicking—the Meanings of Performing and Listening. A Lecture.” Music Education Research 1 (1): 9–22.
