Vol. 12 No. 1 (2020)

Articles

• RESTRAINING THE MOOD FOR LOVE: A SEMIOTIC ANALYSIS OF WONG KAR WAI’S IN THE MOOD FOR LOVE

  Anton Sutandio

  1-12

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• IMPLEMENTATION OF THE NETWORK STATION SYSTEM ON TVRI BALI

  I Nengah Muliarta

  13-27

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• SOEGIJA BIOPIC FILM, POLITICAL AFIRMATION, AND POLITICAL IDENTITY: DECONSTRUCTION OF INDONESIAN HISTORIOGRAPHY

  Bambang Aris Kartika, Nanik Sri Prihatini, Sri Hastanto, Dharsono Dharsono

  28-47

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• SEXY KILLERS : FILM AND ENVIRONMENTAL MOVEMENT

  Fitri Murfianti

  48-62

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• THE MEANING OF OPENING TEASER OF THE TALK-SHOW DUA SISI AS PROGRAM IDENTITY

  Dina Dwika Oktora

  63-71

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• REPRESENTATION OF NOSTALGIA IN THE PROGRAM MEMORI MELODI IN TVRI NASIONAL

  Ayudha Eka Ramadhoni, Ranang Agung Sugihartono

  72-85

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• COLOR GAME OF ONDEL-ONDEL AS CULTURAL EDUCATION MEDIA FOR CHILDREN

  Mita Purbasari Wahidiyat, Imam Tabroni

  86-95

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• CREATIVE STRATEGY OF PROGRAM DIRECTOR AT 4 CITIES WAYANG BEBER VICOLMING SHOW

  Kosalalita Anggiyumna Ranangsari, Intan Yulia Febbyu Fenda

  96-116

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