Vol. 14 No. 2 (2023)

Articles

• THE PORTRAYAL OF THE FEMALE PROTAGONIST IN DARREN ARONOFSKY’S BLACK SWAN USING FREUD’S PSYCHOANALYTIC THEORY OF PERSONALITY AND DEFENSE MECHANISMS

  Anisa Efani Yulandara Nastiti, Anton Sutandio

  92-106

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• LOCAL FILM FESTIVAL CHARACTERISTICS: A CASE STUDY OF THE MERDEKA FILM FESTIVAL

  Edelin Wangsa, Natalia Depita

  107-122

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• THE EFFECTIVENESS OF TOURISM VLOG COMPETITION ON VISITS TO COCOA ECOTOURISM DESTINATIONS

  Didik Suharijadi, Diana Fausiyah, Soekma Yeni Astuti

  123-135

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• A SEMIOTIC ANALYSIS OF ASIAN WOMEN’S STEREOTYPES ON CHO CHANG

  Priskilla Trisna Nugraheni, Michael Bezaleel Wenas, Birmanti Setya Utami

  136-153

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• VISUALIZATION AND REALITY IN PACKAGED BEVARAGE ADVERTISING

  Denny Hendrifika Setyawan

  154-166

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• MARKETING CONFLICT AND SHARPENING ANTAGONISM: DOCUMENTING AND PRESERVING SOCIAL DIVISION IN THE FILM 3 HATI DUA DUNIA SATU CINTA

  Denny Antyo Hartanto, Ghanesya Hari Murti, Ni Luh Ayu Sukmawati, Irana Astutiningsih

  167-182

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• THE AESTHETICS OF AGUS LEONARDUS’ POSTCARD PHOTOGRAPHY ON YOGYAKARTA SOCIO-CULTURAL ACTIVITIES

  Anang Ma'ruf Bagus Yuniar, Andry Prasetyo

  183-192

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