Vol. 18 No. 2 (2023)

Articles

• Guntur galunggung song: text and symbolic meaning review

  Abizar Algifari Saiful, Yudi Sukmayadi

  95-112

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• Local cultural identity representation at the Yogyakarta International Airport gate

  Rr. Chandrarezky Permatasari, SM. Wardhana, YN. Utomo

  113-122

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• The ethical dimensions of Mong Kinemong in music performance in catholic worship: a phenomenological analysis of first Friday night eucharist musicians at Ganjuran Church

  Tony Anwar Rosidy, Aton Rustandi Mulyana, Yayi Suryo Prabandari

  123-133

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• An analysis of the dress of the female warriors of the palace of Mangkunegara I at the 1991 palace festival

  Linda Utami, Sunarmi Sunarmi, Rahayu Adi Prabowo

  134-145

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• The creative process of creating dance accompaniment gendhing Murdanata Dedarining Aringgit: the mascot dance of Nagasepaha Village in Buleleng Regency, Bali

  I Nyoman Kariasa, Wardizal Wardizal, Hendra Santosa

  146-158

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• Aesthetic criticism of dancers' costumes at Jaranan Pegon's performance in Trenggalek

  Mellany Octa Salsabila Sugiarto, I Nengah Mariasa, Setyo Yanuartuti

  159-166

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• Exploring the traditional ritual of Jaran Kepang Papat: context, heritage, and significance

  Rr. Paramitha Dyah Fitriasari, Maharani Hares Kaeksi

  167-176

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• Unveiling toxic masculinity symbols: Peircean semiotic analysis in films “Seperti Dendam Rindu Harus Dibayar Tuntas”

  Damarati Rahma Widiasa, Vina Mahdalena, Lusia Handayani

  177-188

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• Langgam Makassar: the adaptation of keroncong to local music in Makassar

  Adiatma Hudzaifah, Zulkarnain Mistortoify

  189-205

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• Alu Katentong performance, history, form, and function at a wedding event in Padang Laweh

  Syeilendra Syeilendra, Ayuthia Mayang Sari

  206-216

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